The life and times of George Villiers, duke of Buckingham, Volume 3 (of 3): From original and authentic sourcesThomson, A. T., Mrs.
History
The life and times of George Villiers, duke of Buckingham, Volume 3 (of 3): From original and authentic sources
Thomson, A. T., Mrs.
Buckingham, George Villiers, Duke of, 1592-1628
“If you expect more than you had to-night,
The Maker is sick and sad; he sent things fit
In all the numbers both of verse and wit,
If they have not miscarried: if they have,
All that his faint and faltering tongue doth crave
Is, that you not impute it to his brain--
That’s yet unhurt, although set round with pain.
It cannot long hold out: all strength must yield;
Yet judgment would the last be in the field
With the true poet.”
Charles sent him a hundred pounds: the poet, in the fulness of
gratitude, wrote "A petition from poor Ben to the best of monarchs,
masters, and men"--full of gaiety and good-humour, yet touching,
even in its sparkling wit. The petition prayed that His Majesty
would make his father’s “hundred marks a hundred pounds,” alluding
to the pension granted by King James. The petition was granted, and
in the patent by which the annuity was confirmed, it was said,
“especially to encourage Jonson to proceed in those services of his
wit and penn, which we have enjoined unto him.”
A tierce of Canary accompanied this act of bounty. It was Jonson’s
favourite wine, and the King, from his private bounty, sent it to
the sick poet. It was to be a yearly gift, not only to Jonson, but
to his successors; and the wine--Spanish Canary--was to be taken
from his Majesty’s cellars at Whitehall, out of the stores of wine
“remaining therein.” Charles little anticipated that even his love
of the drama should be made a cause of reproach to him at his trial.
“Had the King but studied Scripture half as much as he studied Ben
Jonson or Shakspeare!” was the cry of the Puritans.
Jonson might now have been tolerably happy, had not his former
coadjutor, Inigo, still borne him enmity for having, during the
preceding year, placed his own name before that of the royal
architect. The conduct of Jones in this respect has been placed in
its true light by a letter from a Mr. Perry to Sir Thomas
Pickering.[223] In that letter it is stated that Inigo used his
“predominant power” at Court to injure Jonson, then bed-ridden and
impoverished, as the poet was. Henceforth, Aurelian Townshend, a
poet scarcely known, was employed to invent the masques represented
at Court, in conjunction with Inigo Jones.
Footnote 223:
This was communicated to Gifford by the late Mr. D’Israeli, to
whom historical literature owes indeed much.
Public-domain text, read in full here on John Shaqi.
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