The Life and Work of Susan B. Anthony (Volume 1 of 2): Including Public Addresses, Her Own Letters and Many From Her Contemporaries During Fifty YearsHarper, Ida Husted
History
The Life and Work of Susan B. Anthony (Volume 1 of 2): Including Public Addresses, Her Own Letters and Many From Her Contemporaries During Fifty Years
Harper, Ida Husted
Anthony, Susan B. (Susan Brownell), 1820-1906
Soon after the Albany convention Lucy Stone wrote: "God bless you,
Susan dear, for the brave heart that will work on even in the midst of
discouragement and lack of helpers. Everywhere I am telling people what
your State is doing, and it is worth a great deal to the cause. The
example of positive action is what we need.... Does not Channing
deserve the blessing of all the race for his fidelity to the cause of
women? I believe he understands better than any others, unless it be
Higginson and Phillips, just what we need. Give my love and best wishes
to the household of faith." Channing, when she wanted him to preside at
a meeting, answered facetiously: "Napoleon will not be surprised that a
corporal of an awkward squad hesitates to appear in command where the
general-in-chief is present."
[Autograph:
Affectionately
Lucy Stone]
It was at the close of this Albany convention that Miss Anthony decided
to abandon the Bloomer costume. The subject had been occupying her
sleeping and waking hours for some time, and it was only after a long
and agonizing struggle that she persuaded herself to take the step. In
order to show how very serious a question this had been with the women,
it will be necessary to go into a somewhat detailed account of this
first movement toward dress reform.
The costume consisted of a short skirt and a pair of Turkish trousers
gathered at the ankle or hanging straight, and was made of ordinary
dress materials. It was first introduced at the various "water cures"
to relieve sick and delicate women, often rendered so by their
unhealthful mode of dress, and was strongly recommended in the "water
cure" journals. When women began to go into public work, they could not
fail to recognize the disadvantages of the unyielding corsets, heavy,
quilted and stiffly-starched petticoats, five or six worn at one time
to hold out the long, voluminous dress skirts; and to feel that to be
consistent they must give freedom to the body. The proprietors of the
"water cures" were, for the most part, in touch with all reform
movements and their hospitality was freely extended to those engaged in
them. In this way the women had an opportunity to see the comfort which
the patients enjoyed in their loose, short garments, and began to ask
why they also should not adopt what seemed to them a rational dress.
Public-domain text, read in full here on John Shaqi.
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