To be sure it was a part of Schiller's design to represent in Carlos a process of evolution. Under the influence of manly friendship the puling sentimentalist was to have his fiber toughened into the stuff that great men are made of; and so it was quite in order that he should appear at first as a weakling. But he is too much of a weakling, and the reason is that Schiller did not foresee the end from the beginning. He thought of Carlos originally as a hapless youth having a sort of natural right to rebel. It was a part of the plan, moreover, that he should renounce and grow strong through renunciation. But this was to come later in the third act; in the beginning he was to dally with the morbid passion which was to be his tragic guilt. Now with this conception of the subject, the portrait of Carlos, just as we have it, fits in very well; but when the main interest of the play had become political, when the lawless love had become of no account and the renunciation everything,--then it was surely an error to introduce Carlos in such a pitiful plight of soul that faith in him is next to impossible, and the next moment require us to accept him as a hero. In fine, one may well wish that Carlos had a little more of the soul of Hamlet,--leastwise of Hamlet's rough energy of character and saving sense of humor. But the time is past for thinking to dispose of Schiller by saying that he was no Shakspere. Enough that he was himself. And nowhere was he more himself than in just this combination of infinite soft-heartedness with large manly ambition. When Carlos preaches to his father that 'tears are the eternal credential of humanity', he utters a genuine oracle of the sentimental age. And when in the final scene he appears purified by suffering, master of his selfish passion and all intent upon that higher good of which he has caught a glimpse, he speaks again from the heart of Schiller. What a noble figure is Carlos in this last interview with his mother! What matchless poetry in the lines! And how genuinely, thrillingly tragic is the ending of the scene!