The life and works of Sir Charles BarryBarry, Alfred
General
The life and works of Sir Charles Barry
Barry, Alfred
Architects -- Great Britain -- Biography; Barry, Charles, 1795-1860
NATIONAL GALLERY.--The alteration of the present National Gallery has
formed a part of most schemes of metropolitan improvements. It was
constantly in Sir C. Barry’s thoughts from the very time of its
erection. He shared the universal opinion that its elevation was far too
low and uninteresting, and this impression he embodied in a little
sketch, made at the desire of Sir E. Cust, who was at that time a member
of a Parliamentary Committee on the subject, and intended for his
private information only. Unfortunately the fact of its existence oozed
out, as such facts always do; and, what was worse, imperfect copies of
it were made, and circulated without the author’s knowledge. He thought
himself compelled to allow a correct representation of it to go abroad,
and from this arose inevitably a serious difference between him and Mr.
Wilkins, the architect of the National Gallery. Mr. Wilkins not
unnaturally conceived its publication to be a breach of professional
etiquette, and denounced it as such in no measured terms, especially
when the success of Mr. Barry in the competition for the New Palace at
Westminster still further embittered his feelings. But to this, as to
the other attacks of the period, Mr. Barry made no reply, perhaps
feeling himself in the wrong, certainly regretting the anomalous
position into which he had been drawn, in his anxiety to rescue from
comparative insignificance the building which occupies “the finest site
in Europe.”
For some time the matter slept, till he was again consulted on the
subject of enlargement of the Gallery, and made in 1848 a design for
improving and extending the present building. He proposed to build over
the vacant space in front, and advance the building to the line of the
street. Several designs were made by him for the elevation, all having
some great central mass, to overcome, as much as possible, the fatal
effect of the Nelson Column upon the façade. He returned to the work
again in 1852, in connection with larger schemes, and with designs upon
a larger scale, for a building almost entirely new.
But nothing was done. The work, like all those which touch various
interests, and which have to be debated upon in a popular assembly,
presented difficulties, opened the door to various opinions, and ended
for a time in mere discussion. Now again, as in the former case, it
seems that substantial results may be hoped for. Another competition on
a grand scale, though not attaining to the magnificence of the Law
Courts, has been entered upon, and can hardly be allowed to be
undertaken in vain.
Public-domain text, read in full here on John Shaqi.
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