"We have materials here for the advancement of art, which are no
where to be had better--the Court spends (even now in war-time)
twenty-six thousand florins yearly on the Academy; we have casts of
all ancient statues of importance, which were to be seen in Rome,
Florence, or Portici; also of more than a hundred of the most
beautiful busts; models of individuals distinguished for beauty of
person, taken from the life; skeletons; moveable anatomical
figures. The great rooms, like halls, are filled with collections
of these kinds; stipends, premiums are given; and, in short, every
thing that can be desired for the encouragement of a school of art
is here; and, nevertheless, hitherto without having produced any
apparent advantage; for, where there is no susceptibility for the
beautiful, every thing is to no purpose, and will probably be
always to no purpose.
"Your London publications are every where held in the highest
esteem, especially on account of the elegance of their execution,
and the typographical splendour of the impressions. But they are
all so high in price, that a private individual of moderate means
cannot buy any of them, and must content himself with looking at
the best in the collections of the great and rich.
"_Füger_, whom you may perhaps have known in Rome, is now director
of the Academy of Arts here. He has exhibited a series of twenty
designs from Klopstock's 'Messiah;' amongst which, some of
particular interest. Our engravers, with the exception of
Schmüzer, who has published four good prints from Rubens, are of no
importance, and are for the most part to be looked upon as mere
mechanics; and even if some of them have talent, they are obliged
to engrave from insignificant things, in order to earn their bread.
"The other day, I found many people collected before the shop of my
printseller, and staring at something in the window. I pressed
through the crowd, and found your representation of "Hamlet's
Ghost" was exposed in the window, of which all present, each in his
way, were expressing their admiration. Now that I have prosed on to
you of different things, I will spare you any more
prosing.--Farewell, and be happy, and think sometimes, when in a
good humour, of your ever-loving brother,
"Rodolph."
"If it should ever come into your head to write me a line, direct,
Füessli, on the Nienn Laurenzer-House, No. 34, on the first floor,
in _Vienna_.
"N. B.--The _Nienn_ is a little river which flows by my house."
Public-domain text, read in full here on John Shaqi.
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