weakness in Judith, are types of his mysterious progress, till Jonah
pronounces him immortal; and the magnificence of the Last Judgment, by
showing the Saviour in the judge of man, sums up the whole, and reunites
the Founder and the race.
Such is the spirit of the Sistine Chapel, and the outline of its
_general_ invention with regard to the cycle of its subjects--as in
their choice they lead to each other without intermediate chasms in the
transition; as each preceding one prepares and directs the conduct of
the next, this the following; and as the intrinsic variety of all,
conspires to the simplicity of one great end. The _specific_ invention
of the pictures separate, as each constitutes an independent whole,
deserves our consideration next: each has its centre, from which it
disseminates, to which it leads back all secondary points; arranged,
hid, or displayed, as they are more or less organs of the inspiring
plan: each rigorously is circumscribed by its generic character; no
inferior, merely conventional, temporary, local, or disparate beauty,
however in itself alluring, is admitted; each finally turns upon that
transient moment, the moment of suspense, big with the past, and
pregnant with the future; the action nowhere expires, for action and
interest terminate together. Thus in the Creation of Adam, the Creator
borne on a group of attendant spirits, the personified powers of
Omnipotence, moves on toward his last, best work, the lord of his
creation: the immortal spark, issuing from his extended arm, electrifies
the new-formed being, who tremblingly alive, half raised, half reclined,
hastens to meet his Maker. In the formation of Eve, the astonishment of
life, just organised, is absorbed in the sublimer sentiment of
adoration; perfect, though not all disengaged from the side of her
dreaming mate, she moves with folded hands and humble dignity towards
the majestic Form whose half raised hand attracts her--what words can
express the equally bland and irresistible velocity of that mysterious
Being, who forms the sun and moon, and already past, leaves the earth,
completely formed, behind him? Here apposition is the symbol of
immensity.[75]
Public-domain text, read in full here on John Shaqi.
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