Emulation seems to have been his chief motive of writing: he longed to
break a lance with Vasari, whom, from whatever cause, as appears from
the postils tacked to the _Vite_, he disliked. They have been sometimes,
especially in the Life of Taddeo, quoted and treated as effusions of
envy and malignity by the annotator of the Roman edition. To prove his
superiority over the Tuscan, he chose a style as obscure and inflated as
that of Giorgio is diffuse and plain; the whole of the treatise printed
at Torino reels in a round of internal and external design, and contains
less precept than peripatetic speculation, which rendered the schools of
that day more loquacious than learned. His language runs over in
intellective[100] and formative conceits, in substantial substances and
formal forms; even the titles of his chapters are larded with equal
fulsomeness of phrase, like that of the XIIth., that "philosophy and to
philosophize, is metaphoric and similitudinarious design." These are the
bait of fools--for none but fools can hope to gather meaning from the
bubbles of sophistry, or stoop to disentangle etymologies which derive
_disegno_ from "Dei signum," the sign of God!
This treatise was probably the offspring of his presidency in the
Academy of St. Luke; for office gives insolence. The Academy dates its
origin from the Pontificate of Gregorio XIII., who granted the brief of
its foundation[101] to Muziano. It had not, however, its full effect
till after the return of Zuccari from Spain, who put it in force and was
unanimously declared "Principe," or President. That was his day of
triumph; he returned from the inauguration in the church of S. Martino
at the foot of the Campidoglio, accompanied by a great concourse of
artists and litterators to his own house, where shortly after he built a
saloon for the accommodation of the Academy, in whose praise he
overflowed in prose and poems, more than once quoted in his larger
treatise; and to seal his extreme affection, bequeathed like Muziano, in
case his own line should fail, the bulk of his fortune to the
establishment.
Public-domain text, read in full here on John Shaqi.
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