With this man's face before me as I write, I am reminded of some Maori chief waging war from the lust of blood or the pride of local dominion. His complexion is bloodless, yet so healthy that a passing observer would afterward speak of it as ruddy. His face is broad, with a character nose, sensual lips, and very high cheek bones; the cranium is full and the brow speaking, while the head runs back to an abnormal apex at the tip of the cerebellum. His straight, lusterless black hair, duly parted, is at the summit so disturbed that tufts of it rise up like Red Jacket's or Tecumseh's; but the head is kept well up, and rests upon a wonderfully broad throat, muscular as one's thigh, and without any trace, as he sits, of the protuberance called Adam's apple. Withal, the eye is the man Payne's power. It is dark and speechless, and rolls here and there like that of a beast in a cage which strives in vain to understand the language of its captors. It seems to say, if anything, that, it has no sympathy with anybody approximate, and has submitted, like a lion bound, to the logic of conviction and of chains. Payne looks at none of his fellow-prisoners: assassins caught seldom cares to recognise each other; for while there is faithfulness among thieves, there is none among murderers. His great white eyeball never roves to anybody's in the dock, nor theirs to his. He has confessed his crime and they know it; so they have no mutual hope; they listen to the evidence because it concerns them; ho looks at it only, because it cannot save him. He is entirely beardless, yet in his boyish chin more of a man physically than the rest, combined. While I watch this man I am constantly repeating to myself that stanza of Bryant's: "Upon the market place he stood,-- A man of giant frame, Amid the gathering multitude That shrank to hear his name; All proud of step and firm of limb, His dark eye on the ground-- And silently they gazed on him, As on a lion bound."