The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
The bar of red, which strikes a warm note among the cool lights and
shadows of moonlight, adding immensely to the value of these tones,
was suggested by the coral necklace, worn by the model from whom
Leighton painted the study by moonlight for "Summer Moon" in Rome.
"Egyptian Slinger" was Leighton's principal work exhibited in 1875,
"The Daphnephoria" already engrossing most of his time and thought.
This picture (89 × 204 inches), "a triumphal procession held every
ninth year at Thebes in honour of Apollo and to commemorate a victory
of the Thebans over the Aeolians of Arne" (see Proclus, "Chrestomath,"
p. 11), and the very fine portrait of Sir Richard Burton were
exhibited in 1876. From some points of view "The Daphnephoria" is
Leighton's greatest achievement. The difficulties he surmounted
successfully in the work were of a character with which few English
artists could cope at all. The size of the canvas alone would
certainly have insisted on ten years' devotion to it from most modern
artist-workmen. The extreme breadth of the arrangement of the masses,
united with great beauty of line and form in the detail; the sense of
the moving of a procession swinging along to the rhythmic phrases of
chanted music; the brilliant light of Greece, striking on the fine
surface of the marble platform along which the procession is moving
and on the town below, which it has left behind, contrasting with the
deep shadowed cypress grove rising as background to the figures;--all
this is more than masterly: it is convincing. It is probably quite
unlike what took place at Thebes every ninth year;--but Art is not
Archæology. The written account of what took place fired Leighton's
imagination to create a scene in which he treated the Greek function
as the text; the wonderful light and the fineness of Greek atmosphere
as the tone; the processional majesty and grace of movement as the
action. The element of beauty which the record suggested to him was
the truth of the scene to Leighton, and he has recorded the essence of
it in an extraordinarily original work.
Public-domain text, read in full here on John Shaqi.
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