SIR,--The Lords of the Committee of Council on Education having had under their consideration the subject of the permanent decoration of the lunettes at the ends of the South Court of the South Kensington Museum, have directed me to inquire if it would be agreeable to you to undertake to execute a picture for one of these lunettes, for which lunette their Lordships would be prepared to authorise a payment of £1000, it being understood that all rights of copying the work belong to the Department. When the court is completed, there will be four lunettes of a similar size. At the present time, however, there are only two spaces actually ready; and should you be willing to accept the commission now offered to you, your picture would be placed in one of these two finished lunettes. Mr. Watts, R.A., has been asked to execute a similar commission for the second lunette; and, in order that the works may have a certain symmetry in respect of the scale of the figures, &c., it would be desirable that you should place yourself into communication with him.--I am, Sir, your obedient servant, HENRY COLE. [Illustration: STUDY FOR GROUP IN "THE ARTS OF PEACE," Victoria and Albert Museum. 1873 Leighton House Collection] [Illustration: FIRST SKETCH FOR FIGURE OF CIMABUE Carried out in Mosaic in the Victoria and Albert Museum, 1868] [Illustration: ORIGINAL SKETCH FOR THE FIGURE OF NICCOLA PISANO Carried out in Mosaic in the Victoria and Albert Museum, 1868] Watts was not prepared to accept the commission to execute one of the frescoes, being already immersed in work which absorbed his whole time and attention. He did, however, accept the commission to make a cartoon for the figure of Titian to be worked in mosaic in one of the spaces which form a kind of frieze along the side of the Southern Court. Leighton, besides agreeing finally to paint frescoes on the lunettes at each end of the court, made cartoons in 1868 for two of these side spaces, one of the figure of Cimabue, the other of Niccolo Pisano. Sketches for these are in the Leighton House Collection. (See List of Illustrations.) A controversy took place between Leighton and Sir Henry Cole respecting the question whether these figures were to be treated pictorially or decoratively, whether the background was to be of plain gold mosaic or whether there were to be objects depicted in perspective behind the figures. The following part of a letter from Leighton concluded the agreement.