The life, letters and work of Frederic Leighton. Volume IIBarrington, Russell, Mrs.
General
The life, letters and work of Frederic Leighton. Volume II
Barrington, Russell, Mrs.
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
DEAR GUIDO (but _not_ of Polenta),--I have been quite
_mortified_ at your neglect of me, and invoked the muses in
vain! and call'd on the ghosts of Titian and Raffael, but they
did not heed my sighs! I am always glad to see you, and wish I
could _see your works_! All my cotemporaries and comrades are
dying off, and I _cannot_ last long--so come to my "Evenings at
Home" when you dine in my "Quartier" and are going to your club.
Alas! for dear Henry Greville! I knew him from his most early
youth. _Both_ his parents were my _early_ friends from _my_
youth, and his elder brother my cotemporary.
Come! Benvenuto Cellini--venite!
_Monday, February 1873._
Leighton's passion for music led him to encourage all that was best in
instrumental as well as in vocal performance. The Monday Popular
Concerts were started by Messrs. Chappell in 1859, the first being
given on the 3rd January. From their commencement Leighton was a
subscriber, and very rarely missed being present.
It was in the 'seventies that Leighton instituted those yearly feasts
of music, which were among the real treats of the year.[54] His dear
friend Joachim was to the end the _pièce de résistance_ of these
gatherings. Never did the Great Master seem so inspired as when he
played in that studio. Leighton wrote to his sister, Mrs. Matthews,
April 1871:--
DEAREST GUSSY,--You heard, no doubt, that I gave a party the
other day, and that it went off well. To me perhaps the most
striking thing of the evening was Joachim's playing of Bach's
"Chacone" up in my gallery. I was at the other end of the room,
and the effect from the distance of the dark figure in the
uncertain light up there, and barely relieved from the gold
background and dark recess, struck me as one of the most poetic
and fascinating things that I remember. At the opposite end of
the room in the apse was a blazing crimson rhododendron tree,
which looked glorious where it reached up into the golden
semi-dome. Madame Viardot sang the "Divinités du Styx," from the
"Alcestis," quite magnificently, and then, later in the evening,
a composition of her own in which I delight--a Spanish-Arab
ditty, with a sort of intermittent mandoline scraping
accompaniment. It is the complaint of some forsaken woman, and
wanders and quavers in a doleful sort of way that calls up to me
in a startling manner visions and memories of Cadiz and Cordova,
and sunny distant lands that smell of jasmine. A little Miss
Brandes, a pupil of Madame Schumann, played too. She is full of
talent and promise, and has had an immense success. Mme. Joachim
sang "Mignon" (Beethoven) excellently.
[Illustration: Sketch executed on the spot by Mr. Theodore Blake
Wirgman of their Majesties the King and Queen attending a
Popular Concert in St. James's Hall, Lord Leighton being one of
the Royal party. About 1893.]
Public-domain text, read in full here on John Shaqi.
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