The Life & Letters of Peter Ilich TchaikovskyChaikovskii, Modest
General
The Life & Letters of Peter Ilich Tchaikovsky
Chaikovskii, Modest
Composers -- Russia -- Biography; Tchaikovsky, Peter Ilich, 1840-1893
Contrary to custom, Petersburg, not Moscow, enjoyed the first hearing of
Tchaikovsky’s latest work. At the first Symphony Concert of the Musical
Society, on December 1st, Professor Kross played the Pianoforte
Concerto. Both composer and player were recalled, but at the same time
the work was only a partial success with the public. The Press, with one
exception, was unfavourably disposed towards it. Famitzin spoke of the
Concerto as “brilliant and grateful, but difficult for virtuosi.” All
the other critics, including Laroche, were dissatisfied. The latter
praised the Introduction for its “clearness, triumphal solemnity, and
splendour,” and thought the other movements did not display the melodic
charm to be expected from the composer of _The Oprichnik_ and _Romeo and
Juliet_. “The Concerto,” he continued, “was ungrateful for pianists, and
would have no future.”
At the first Symphony Concert in Moscow, November 7th (19th),
Tchaikovsky’s Third Symphony was produced for the first time with marked
success.
_To N. A. Rimsky-Korsakov._
“MOSCOW, _November_ 12_th_ (24_th_), 1875.
“MOST HONOURED NICHOLAI ANDREIEVICH,--To-day for the first time I
have a free moment in which to talk to you. Business first.
“1. It goes without saying that Rubinstein will be much obliged if
you will send him _Antar_.[42] We shall await the score
impatiently, and also the quartet, which interests me very much....
“2. Jurgenson will be glad if you will let him have the quartet.
Have I explained your conditions correctly? I told him you expected
a fee of fifty roubles, and the pianoforte arrangement was to be
made at his expense. I know a young lady here who arranged my
second quartet very well. So if your wife will not undertake to do
it herself, we might apply to her....
“I went direct from the station to the rehearsal of my symphony. It
seems to me the work does not contain any very happy ideas, but, as
regards form, it is a step in advance. I am best pleased with the
first movement, and also with the two Scherzi, the second of which
is very difficult, consequently not nearly so well played as it
might have been if we could have had more rehearsals. Our
rehearsals never last more than two hours; we have three, it is
true, but what can be done in two hours? On the whole, however, I
was satisfied with the performance....
Public-domain text, read in full here on John Shaqi.
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