The Life & Letters of Peter Ilich TchaikovskyChaikovskii, Modest
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The Life & Letters of Peter Ilich Tchaikovsky
Chaikovskii, Modest
Composers -- Russia -- Biography; Tchaikovsky, Peter Ilich, 1840-1893
As regards the Russian element in my works, I may tell you that not
infrequently I begin a composition with the intention of
introducing some folk-melody into it. Sometimes it comes of its own
accord, unintentionally (as in the finale of our symphony). As to
this national element in my work, its affinity with the folksongs
in some of my melodies and harmonies proceeds from my having spent
my childhood in the country, and having, from my earliest years,
been impregnated with the characteristic beauty of our Russian
folk-music. I am passionately fond of the national element in all
its varied expressions. In a word, I am Russian in the fullest
sense of the word.”
_To N. F. von Meck._
“CLARENS, _March_ 7_th_ (19_th_), 1872.
“The wintry weather still continues. To-day it has never ceased
snowing. However, I am not at all bored, and time passes very
quickly while I am at work. The sonata and concerto interest me
greatly. For the first time in my life I have begun to work at a
new piece before finishing the one on hand. Hitherto I have
invariably followed the rule not to take up a new composition until
the old was completed. This time I could not resist the pleasure of
sketching out the concerto, and allowed myself to be so carried
away that the sonata has been set aside; but I return to it at
intervals.
“I have read the two volumes of _Russian Antiquities_ with delight.
As they were already cut, I conclude you have read them yourself.
“Do you not think, dear friend, that Serov’s letters are extremely
interesting? At least I find them so, because I well remember the
period to which the correspondence belongs. I made Serov’s
acquaintance just at the moment when _Judith_[60] was first
performed, and I attended many of the rehearsals. The work roused
my enthusiasm at the time, and Serov seemed to me a genius.
Afterwards I was bitterly disappointed in him, not only as a man,
but as a composer. His personality was never very sympathetic to
me. His petty vanity and self-adoration, which often showed
themselves in the most naïve way, were repugnant and
incomprehensible in so gifted and clever a man. For he was
remarkably clever in spite of his small-minded egotism.
Public-domain text, read in full here on John Shaqi.
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