Now, we had come to London partly for Richard's health, and partly to bring out the "Arabian Nights." The translating, writing, and correcting devolved upon him; the copying fell to a lady amanuensis; the financial part devolved upon me. It was said that there was no room for a new edition, but every previous edition was imperfect, and mostly taken from Professor Galland's French version, made a hundred and eighty years ago, and adapted for civilization. This in itself was an abridgment, and turns a most valuable ethnographical work into a collection of fairy tales. Mr. Torrens was the nearest to the original, but he only got as far as fifty tales. Mr. Lane, whose works are so popular, has only given us half the tales, and he substituted popular fairy tales. Mr. John Payne was excessively good, but he was limited to five hundred copies, and his profession forbade his being quite so daring as Richard. Richard's object was not only to produce an absolutely literal translation, but to reproduce it in an absolutely Arabian manner. He preserved the strict divisions of the Nights, he kept to the long unbroken sentences in which the composer indulged. Being perfect master of both languages, he could imitate the rhythmic prose which is a characteristic of the Arabic. He furnished it only to scholars, and at a prohibitive price. He gave a most literal rendering of the Oriental phrases and figures. Richard called it the "Walling of the Horizon," the orientation being strictly preserved, instead of being Anglicized. The choicest phrases, the sacred preservation of them, speaks for itself. He kept the swing, the wave of Arab poetry, which one can only liken in its melancholy to the sound of an Æolian harp balanced on a tree-branch. He loved his work, and he was sorry when it was finished. In many of the stories of other translators, he used to say, "the very point which enables you to understand the action is left out, because the translator was afraid of Mrs. Grundy. Arab ideas of morality are different from European, and if we are to understand the Arabs, and if the 'Nights' are to be of any value from an anthropological point of view, it can only be written as I have written it. I think it is such a disgrace that our Rulers should rule so many million Easterns, and be as ignorant of them as if they lived in a far-away planet; and it is to give _them_ a chance of knowing what they are about, that I leave this legacy to the Government. I have not only preserved the spirit of the original, but the _mechanique_. The metrical portion has been very difficult, because Arab poetry is quite different to English. An Arab will turn out sentence after sentence before he comes to his rhyme.