The Life of Carmen Sylva (Queen of Roumania)Stackelberg, Natalie
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The Life of Carmen Sylva (Queen of Roumania)
Stackelberg, Natalie
Sylva, Carmen, 1843-1916
When autumn comes in, Bucharest becomes once more the centre of
ever-renewing duties. Then the Princess resumes her life of hard work.
She rises at five in the morning, and lighting her little lamp herself,
she works till eight in a room artistically adorned with paintings,
palms, and towering ferns. Thick carpets hush the sound of footsteps.
The walls are hung with deep-toned colours. Cosy little nooks and
corners to sit in are arranged under tropical plants. The silence
which surrounds the Princess is only broken by the murmur of the little
fountain and the chirping of the birds. In these early morning hours
the Princess works at her poetic creations, and gains strength for the
cares and duties of the day.
After breakfasting alone with the Prince, businesses and audiences
begin. The reception-rooms of Prince and Princess are often not empty
for nine or ten hours with but short interruptions. At a particular
hour the former ladies-in-waiting who have been married since then,
may see the Princess without being announced. Every Thursday a concert
takes place. Foreigners and natives are invited to take part on
these occasions. Some times Roumanian gentlemen read aloud either a
scientific French book or the works of modern Roumanian poets. Princess
Elizabeth wishes to be thoroughly well-informed, and every talent finds
a patroness in her. “I have arranged something very pleasant,” she
writes to her mother. “Twice a week I get Vacaresco to read ancient
Roumanian Chronicles to me. He is as well up in them as a professor,
and holds explanatory lectures between whiles, which are open to all.
Imagine my ideal room with its fountains and lamps and abatjours, the
pretty girls with their work under the spreading palms, and I, pen in
hand, noting down every new word. And then the curious past which is
unrolled before us, in a magnificent classical Latin style, or in the
primitive forms of the old books of the Bible. I hope to find subjects
to work up in poetry. I am also arranging an Academy of Painting.
There is to be much singing and more reading aloud. Everything that
approaches me must be at work. Nobody and nothing may rest.”
“It is a peculiarity of mine to like to be surrounded by many workers.
I do not at all like a _tête-à-tête_: it always wants three people to
make up a pleasant conversation. In a _tête-à-tête_ one usually touches
on one’s little miseries about which it is much better to be silent.
I always live with open doors, so that people may come to me at any
time. This is a slight alleviation to my childlessness. I only reserve
the first hours from five to eight for my own work. After that I let
any one disturb me, and begin with my household affairs and the menu.
Consequently I often have people from ten in the morning till seven at
night.”
Public-domain text, read in full here on John Shaqi.
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