He was seen last on the crupper of Gandia’s horse as the latter rode away towards the Jewish quarter.(1) Gandia himself announced that he was bound on pleasure--going to amuse himself. Even without the knowledge which we possess of his licentious habits, no doubt could arise as to the nature of the amusement upon which he was thus bound at dead of night; and there are the conclusions formed in the morning by his father, when it was found that Gandia had not returned. 1 The Ghetto was not yet in existence. It was not built until 1556, under Paul IV. Is it so very difficult to conceive that Gandia, in the course of the assignation to which he went, should have fallen into the hands of an irate father, husband, or brother? Is it not really the obvious inference to draw from the few facts that we possess? That it was the inference drawn by the Pope and clung to even some time after the crime and while rumours of a different sort were rife, is shown by the perquisition made in the house of Antonio Pico della Mirandola, who had a daughter whom it was conceived might have been the object of the young duke’s nocturnal visit, and whose house was near the place where Gandia was flung into the Tiber. We could hazard speculations that would account for the man in the mask, but it is not our business to speculate save where the indications are fairly clear. Let us consider the significance of Gandia’s tied hands and the wounds upon his body in addition to the mortal gash across his throat. To what does this condition point? Surely not to a murder of expediency so much as to a fierce, lustful butchery of vengeance. Surely it suggests that Gandia may have been tortured before his throat was cut. Why else were his wrists pinioned? Had he been swiftly done to death there would have been no need for that. Had hired assassins done the work they would not have stayed to pinion him, nor do we think they would have troubled to fling him into the river; they would have slain and left him where he fell. The whole aspect of the case suggests the presence of the master, of the personal enemy himself. We can conceive Gandia’s wrists being tied, to the end that this personal enemy might do his will upon the wretched young man, dealing him one by one the ten or fourteen wounds in the body before making an end of him by cutting his throat. We cannot explain the pinioned wrists in any other way. Then the man on the handsome white horse, the man whom the four others addressed as men address their lord. Remember his gold spurs--a trifle, perhaps; but hired assassins do not wear gold spurs, even though their bestriding handsome white horses may be explainable. Surely that was the master, the personal enemy himself--and it was not Cesare, for Cesare at the time was at the Vatican.