He and his sister Charlotte were both slight and small of stature, while the other two were of taller and larger make. I have seen Branwell's profile; it is what would be generally esteemed very handsome; the forehead is massive, the eye well set, and the expression of it fine and intellectual; the nose too is good; but there are coarse lines about the mouth, and the lips, though of handsome shape, are loose and thick, indicating self-indulgence, while the slightly retreating chin conveys an idea of weakness of will. His hair and complexion were sandy. He had enough of Irish blood in him to make his manners frank and genial, with a kind of natural gallantry about them. In a fragment of one of his manuscripts which I have read, there is a justness and felicity of expression which is very striking. It is the beginning of a tale, and the actors in it are drawn with much of the grace of characteristic portrait-painting, in perfectly pure and simple language which distinguishes so many of Addison's papers in the "Spectator." The fragment is too short to afford the means of judging whether he had much dramatic talent, as the persons of the story are not thrown into conversation. But altogether the elegance and composure of style are such as one would not have expected from this vehement and ill-fated young man. He had a stronger desire for literary fame burning in his heart, than even that which occasionally flashed up in his sisters'. He tried various outlets for his talents. He wrote and sent poems to Wordsworth and Coleridge, who both expressed kind and laudatory opinions, and he frequently contributed verses to the _Leeds Mercury_. In 1840, he was living at home, employing himself in occasional composition of various kinds, and waiting till some occupation, for which he might be fitted without any expensive course of preliminary training, should turn up; waiting, not impatiently; for he saw society of one kind (probably what he called "life") at the Black Bull; and at home he was as yet the cherished favourite.