"Some months after" (the appearance of the review of "Shirley" in the Edinburgh), "Currer Bell came to London, and I was invited to meet her at your house. You may remember, she asked you not to point me out to her, but allow her to discover me if she could. She DID recognise me almost as soon as I came into the room. You tried me in the same way; I was less sagacious. However, I sat by her side a great part of the evening and was greatly interested by her conversation. On parting we shook hands, and she said, 'We are friends now, are we not?' 'Were we not always, then?' I asked. 'No! not always,' she said, significantly; and that was the only allusion she made to the offending article. I lent her some of Balzac's and George Sand's novels to take with her into the country; and the following letter was written when they were returned:"-- "I am sure you will have thought me very dilatory in returning the books you so kindly lent me. The fact is, having some other books to send, I retained yours to enclose them in the same parcel. "Accept my thanks for some hours of pleasant reading. Balzac was for me quite a new author; and in making big acquaintance, through the medium of 'Modeste Mignon,' and 'Illusions perdues,' you cannot doubt I have felt some interest. At first, I thought he was going to be painfully minute, and fearfully tedious; one grew impatient of his long parade of detail, his slow revelation of unimportant circumstances, as he assembled his personages on the stage; but by and bye I seemed to enter into the mystery of his craft, and to discover, with delight, where his force lay: is it not in the analysis of motive; and in a subtle perception of the most obscure and secret workings of the mind? Still, admire Balzac as we may, I think we do not like him; we rather feel towards him as towards an ungenial acquaintance who is for ever holding up in strong light our defects, and who rarely draws forth our better qualities. "Truly, I like George Sand better. "Fantastic, fanatical, unpractical enthusiast as she often is--far from truthful as are many of her views of life--misled, as she is apt to be, by her feelings--George Sand has a better nature than M. de Balzac; her brain is larger, her heart warmer than his. The 'Lettres d'un Voyageur' are full of the writer's self; and I never felt so strongly, as in the perusal of this work, that most of her very faults spring from the excess of her good qualities: it is this excess which has often hurried her into difficulty, which has prepared for her enduring regret. "But I believe her mind is of that order which disastrous experience teaches, without weakening or too much disheartening; and, in that case, the longer she lives the better she will grow. A hopeful point in all her writings is the scarcity of false French sentiment; I wish I could say its absence; but the weed flourishes here and there, even in the 'Lettres.'"