"As you wished me to say what I thought of 'The School for Fathers,' I hastened to read it. The book seems to me clever, interesting, very amusing, and likely to please generally. There is a merit in the choice of ground, which is not yet too hackneyed; the comparative freshness of subject, character, and epoch give the tale a certain attractiveness. There is also, I think, a graphic rendering of situations, and a lively talent for describing whatever is visible and tangible--what the eye meets on the surface of things. The humour appears to me such as would answer well on the stage; most of the scenes seem to demand dramatic accessories to give them their full effect. But I think one cannot with justice bestow higher praise than this. To speak candidly, I felt, in reading the tale, a wondrous hollowness in the moral and sentiment; a strange dilettante shallowness in the purpose and feeling. After all, 'Jack' is not much better than a 'Tony Lumpkin,' and there is no very great breadth of choice between the clown he IS and the fop his father would have made him. The grossly material life of the old English fox-hunter, and the frivolous existence of the fine gentleman present extremes, each in its way so repugnant, that one feels half inclined to smile when called upon to sentimentalise over the lot of a youth forced to pass from one to the other; torn from the stables, to be ushered perhaps into the ball-room. Jack dies mournfully indeed, and you are sorry for the poor fellow's untimely end; but you cannot forget that, if he had not been thrust into the way of Colonel Penruddock's weapon, he might possibly have broken his neck in a fox-hunt. The character of Sir Thomas Warren is excellent; consistent throughout. That of Mr. Addison not bad, but sketchy, a mere outline--wanting colour and finish. The man's portrait is there, and his costume, and fragmentary anecdotes of his life; but where is the man's nature--soul and self? I say nothing about the female characters--not one word; only that Lydia seems to me like a pretty little actress, prettily dressed gracefully appearing and disappearing, and reappearing in a genteel comedy, assuming the proper sentiments of her part with all due tact and naivete, and--that is all.