We are told also that Rome heard the news and saw the sight with ill-suppressed lamentation. We can easily believe that it should have been so. I have endeavored, as I have gone on with my work, to compare him to an Englishman of the present day; but there is no comparing English eloquence to his, or the ravished ears of a Roman audience to the pleasure taken in listening to our great orators. The world has become too impatient for oratory, and then our Northern senses cannot appreciate the melody of sounds as did the finer organs of the Roman people. We require truth, and justice, and common-sense from those who address us, and get much more out of our public speeches than did the old Italians. We have taught ourselves to speak so that we may be believed--or have come near to it. A Roman audience did not much care, I fancy, whether the words spoken were true. But it was indispensable that they should be sweet--and sweet they always were. Sweet words were spoken to them, with their cadences all measured, with their rhythm all perfect; but no words had ever been so sweet as those of Cicero. I even, with my obtuse ears, can find myself sometimes lifted by them into a world of melody, little as I know of their pronunciation and their tone. And with the upper classes--those who read--his literature had become almost as divine as his speech. He had come to be the one man who could express himself in perfect language. As in the next age the Eclogues of Virgil and the Odes of Horace became dear to all the educated classes because of the charm of their expression, so in their time, I fancy, had become the language of Cicero. It is not surprising that men should have wept when they saw that ghastly face staring at them from the rostra, and the protruding tongue and the outstretched hands. The marvel is that, seeing it, they should still have borne with Antony.