Mackaye read it, at his home, to a group of critical persons, of whom I was one, in order to obtain their opinions of it. As to one point his memory is at fault: I was not present. Mackaye (who was a friend of mine) did read “Dakolar” to me, but that reading occurred privately, in his office. We sat, I remember, at a large table, he at an end of it and I at the right-hand side. He was a highly excitable person, and as his reading progressed he became wildly enthusiastic, hitching his chair nearer and nearer to me, with much extravagant gesticulation, so that I was impelled to hitch my chair further and further away from him, till the two of us actually made an almost complete circuit of the table before the reading was finished! It was a tiresome experience. At the critical symposium which Belasco recalls various opinions were expressed by Mackaye’s auditors, that of Belasco being withheld until Mackaye insisted on its expression, when it was made known as strongly adverse to the play. Thereafter a coolness ensued between the manager and his assistant. Other causes of friction occurred, and presently Mackaye remarked to him, “There is room for only _one_ genius in this theatre, and _one_ of us ought to resign.” This intimation caused Belasco to retire, and so ended that episode. Mackaye, who, in his youth, had studied in Paris, under the direction of François Delsarte (1811-1871),--an eccentric person, of whom and his peculiar character, ways, and notions the reader can pleasantly obtain an instructive glimpse from that delightful book, by Mme. Hagermann-Lindencrone, “In the Courts of Memory,”--had, from the time of his advent in New York theatrical life (1872), sedulously striven to promote the tuition of histrionic aspirants according to the tenets of that instructor; and in opening the Lyceum Theatre he started, in connection with it, a School of Acting. In this Franklin Sargent at first co-labored with him, but after a short time withdrew, to carry on a school of his own. When Belasco left Mackaye and the Lyceum he joined Sargent, and as his extraordinary talent for stage direction had made him popular with Mackaye’s pupils, the larger part of them followed him to Sargent’s school,--to the lively disgust of Mackaye. “VALERIE” AT WALLACK’S.