Belasco, David, 1853-1931; Theater -- United States
Belasco, writing of himself and his co-worker De Mille, says: “For a
month we talked over Sothern’s play without a single idea. At this time
[1887-’88] pistol cigarette-holders came into fashion. I bought one in
the village [near Echo Lake] to amuse the De Mille children, but forgot
to take it out of my hip pocket. The next day as De Mille and I were out
walking in the snow I leaned against a tree, drew the toy pistol from my
pocket, and called out: ’Stand and deliver,’ and in a flash the foolish
situation gave us the first idea for what was afterward called
’Chumley.’ We used this serio-comic situation in our Second Act, where
_Chumley_ holds a real thief at bay with his cigarette-case.” That, no
doubt, is a correct account of the “first idea”; others came from
Belasco’s ample store of recollections. _Chumley_, as a character, is a
remote variant of the elder Sothern’s _Dundreary_, superimposed on H. J.
Byron’s _Sir Simon Simple_, in “Not Such a Fool as He Looks,”--which
was written for Charles Mathews. In the development of the plot in
which he is implicated and the treatment of the character there is much
reminiscence--touches of _John Mildmay_, in his scene with _Captain
Hawksley_, in “Still Waters Run Deep”; of _Harry Jasper_, in “A Bachelor
of Arts”; of _Sir Bashful Constant_, _Arthur Chilton_, _Mr. Toots_, and,
in particular, _Eliott Gray_, in his scene with _Myles McKenna_, in
“Rosedale.” All the situations indicated have long been used as common
property. The merit of the play consists in the effectiveness with which
those situations are employed and in the bright, fluent, and generally
telling dialogue with which they are interfused. _Chumley_ is an
extremely long part. Sothern’s performance was exceptionally good, and
it was received by public and press with copious approbation. The
success of the play was unequivocal: it held the stage till November 11.
On November 13 Pinero’s “Sweet Lavender” succeeded it, but with the
production of that excellent drama at the Lyceum Belasco had,
practically, nothing to do: “Sweet Lavender” was sent to New York from
London and was “put on” in exact accordance with the prompt-copy as
prepared by the author when making Edward Terry’s presentment of it.
This was the original cast of “Lord Chumley,” at the Lyceum:
Public-domain text, read in full here on John Shaqi.
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