“The pupils of the Sargent School entered with great enthusiasm into the preparations for our school productions, and we have had many notable successes. I believe I am safe in saying that one of these, the ’Electra’ of Sophocles, was the most remarkable exhibition of amateur art ever seen in this country. It was so accurate, so scholarly, so classical in every respect, that we were invited to present it before the students of Harvard University, as an illustration of the beauty and strength of ancient dramatic literature. The faculty and students were enthusiastic in its praise, and we felt highly honored that such distinction had been conferred upon us. I understood then that it was the first time in the history of Harvard that an amateur company had been transferred from another city.” On the occasion of that amateurs’ performance of “Electra” at the Lyceum the stage was divided into two sections, the rear portion being higher than that in front, and the latter being built out into the auditorium in somewhat the manner of the “apron” of the old-time theatres. This lower platform, in the centre of which stood an altar with a fire on it, was reserved for the _Chorus_. The persons represented in the tragedy stood or moved upon the elevated rear portion of the stage, which showed the entrance to a Grecian house, with a view of countryside visible to the left and to the right. Footlights were not employed, the higher level of the stage being suffused with strong, white light which clearly revealed the characters thereon depicted, while the _Chorus_ was kept in Rembrandt-like shadow. That _Chorus_ comprised nine young women, in classic Grecian array, who declaimed and sang commentary upon, and advice to, the persons of the play proper. It should be noted in passing that,--without extravagance and affectation,--all [Illustration: Photograph by Byron. Belasco’s Collection. A scene from the “Electra” of Sophocles, as produced by Belasco, at the old Lyceum Theatre, New York] the much admired and highly extolled “modern novelties” of simplicity in stage settings and lighting displayed by Mr. Granville Barker, at Wallack’s Theatre, in 1915, were used by Belasco, in presenting “Electra,”--twenty-eight years earlier! The principal parts in the Greek tragedy were thus cast: _Electra_ Grace Hamilton. _Clytemnestra_ Edith A. Chapman. _Ægisthus_ Percy West. _Orestes_ White Whittlesey. MANY NEW TASKS.