Belasco, David, 1853-1931; Theater -- United States
In the Second Act _Alan_,--supposing that the Confederate Army has moved
away--rashly returns to Boonsboro, desiring to effect reconciliation
with his sweetheart. _Lloyd_, trying to bring about a meeting between
the lovers, speaks, ambiguously, to _Maryland_ about “a Northern friend”
whom he wishes her to meet for him and “detain.” Later, while trying to
make his way to the Union lines with important information, _Lloyd_ is
shot and, dying, is detected as a spy: _Alan_ is, meantime, recaptured,
wearing the hat and overcoat of a Confederate officer, and _Maryland_,
unaware of his identity and thinking to clear her brother’s reputation
as a loyal Southerner, denounces the prisoner to _General Kendrick_ as
the real spy. _Alan_, by order of his father, is then tried by
court-martial and condemned to death.
In the Third Act _Maryland_ makes her way into the Union lines and
obtains from _General Hooker_, there commanding, a letter to _General
Kendrick_ certifying that the presence of his son, _Colonel Kendrick_,
within the Confederate lines, was due to a personal, not a military,
motive,--in short, that _Alan_ is not a spy. Returning with this letter
to her home, which has become Confederate Headquarters, _Maryland_ finds
that _General Kendrick_ has been killed in action and that _Colonel
Thorpe_ is in command. _Thorpe_, whom she visits in his quarters in the
old church of Boonsboro,--part of which is also used for confinement of
military prisoners,--and to whom she appeals for mercy, perceiving that
_Hooker’s_ letter, if it should reach any Confederate officer other than
himself, would imperil his own life, not only refuses a reprieve for
_Alan Kendrick_ but orders that execution of the death sentence be
hastened. Then, half drunken and wholly bestial, he insults the
unfortunate _Alan_, who, pinioned and helpless, is on his way to the
gallows and, in his presence, threatens his sweetheart with outrage.
_Maryland_, in desperation, defending herself, stabs _Thorpe_ with a
bayonet (a weapon ingeniously introduced for this purpose among the
articles accessory to the stage setting, being thrust into a table-top
and used as a candlestick), wounding and disabling him. She then
liberates _Alan_, who makes his escape. _Thorpe_, rallying, orders the
church-bell rung, a prearranged signal warning all sentries that a
prisoner has broken jail; but _Maryland_, making her way to the belfry,
seizes the clapper of the great bell and, thus enacting the devoted
expedient of _Bessie_, in “Curfew Must Not Ring To-night,” prevents the
alarm and enables her lover to make good his escape.
In the Fourth Act _Thorpe’s_ double duplicity has been discovered in the
Rebel capital and he is ordered under arrest by _General Lee_; the
Confederate troops, defeated in a general engagement, are forced to
evacuate Boonsboro, and the play ends with a prospective reconciliation
of the lovers.
Public-domain text, read in full here on John Shaqi.
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