Belasco, David, 1853-1931; Theater -- United States
While Belasco was in San Francisco he witnessed several performances of
a play called “The First Born,” written by Francis Powers, which had
been produced, May 10, under the management of his brother, Frederick
Belasco, at the Alcazar Theatre, and he was so favorably impressed with
its merits that he arranged to present that drama,--which ran for ten
weeks in San Francisco,--in New York, in association with Charles
Frohman. That arrangement was successfully consummated, at the Manhattan
(previously the Standard) Theatre, October 5, 1897. “The First Born” is
a tragic sketch of character and life in the Chinese quarter of old San
Francisco,--a region with which the acquaintance of Belasco was
peculiarly intimate and exact and one of which the mingled squalor and
romance had always strongly attracted him. The posture of circumstances
and experience depicted in that play is simple and direct. _Man Low
Yek_, a rich Chinese merchant, has stolen _Chan Lee_, the wife of _Chan
Wang_, also a Chinese and a dweller in the Chinatown. That ravagement
_Wang_ has borne with equanimity; but when _Chan Lee_, returning to San
Francisco with her paramour, entices _Chan Toy_, their first born and
only son, from him and in her endeavor to steal the child accidentally
causes his death, the unfortunate _Wang_ becomes at first an image of
agonized paternal love and then an embodiment of implacable vengeance.
The play is in two acts. In the first, Chinatown is shown in the bright
light and bustle of a busy noonday and against that setting is displayed
the sudden bereavement and afflicting anguish of the father. In the
second, an alley-end in the same district is shown, with a glimpse of
contiguous gambling hells and opium dens, under the darkening shadows of
evening. There the inexorable avenger lounges, leaning against a door
post,--apparently an idler smoking his evening pipe and talking with a
Chinese girl, who leans from a window; in fact, vigilantly observant of
_Man Low Yek_, visible within a shop, and intent on slaying him. The
alley grows dark and becomes deserted. The neighboring houses are
illumined. The chink of money and the bickering chatter of unseen
gamblers are heard. A police officer saunters by and disappears. _Man
Low Yek_ comes forth from his shop, closing it after him. Then,
suddenly, as he passes, _Wang_, with fearful celerity, leaps upon him
wielding a hatchet, strikes him down, drags the dead body into
convenient concealment, and is back again at his former loitering place,
outwardly placid, before the fire in his pipe has had time to become
extinguished.
Public-domain text, read in full here on John Shaqi.
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