Belasco, David, 1853-1931; Theater -- United States
Belasco’s relation with the Hooley company lasted until July (11?), on
which date its season was ended at the Opera House,--a tour of Pacific
Slope towns beginning the next week. Belasco, remaining in San
Francisco, endeavored to attach himself to Daly’s company, but failed to
do so,--partly, it is probable, because of his intimate connection with
Maguire, who was both friendly to Hooley and inimical to Daly, whom he
had striven to exclude from San Francisco by refusing to rent him a
theatre. Daly, however, hired Platt’s Hall and, July 13, presented his
company there, in “London Assurance,” so successfully that Maguire
decided to withdraw his opposition and share the profits of success.
Daly’s company, accordingly, was transferred to the Opera House on July
15, making its first appearance there in “Divorce,” with Belasco as one
of the auditors.
During the remainder of 1875 Belasco labored in much the same desultory
and precarious way. When no other employment could be procured by him he
worked as a salesman in an outfitting shop. “One thing I did,” he
gleefully relates, “for which I was much looked down upon--whenever I
went into the country towns I peddled a ’patent medicine,’ as I called
it; a gargle made from a receipt of my mother’s, and it was a good one,
too; I know because I not only sold it but I _used_ it! And I coaxed all
my theatrical friends to use it and write testimonials for me.” His
chief business, However, when not regularly engaged in the theatres, was
the collection and compilation of a library of plays. Between 1875 and
1880 he prepared prompt books of almost every play that was successfully
produced in San Francisco--altering and rearranging many of them,--and
in frequent instances supplying them to travelling companies or stars.
His friend Mrs. Bates, speaking to me (1903) about him and about the
facility he developed as an adapter and playwright, said: “He was a
marvel! In ’the old days’ I have known a star to give Belasco an
_outline_ of a plot, with three or four situations, on a Thursday
night--and we _acted the play_ on the next Monday!”
Public-domain text, read in full here on John Shaqi.
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