Belasco, David, 1853-1931; Theater -- United States
[Illustration: THE OPERA OF “THE GIRL OF THE GOLDEN WEST”--
A Souvenir, to Belasco]
thus proposed was made and it had mutual advantages, but it was more
valuable to the Shubert Brothers than to Belasco. Possessed of contracts
to “book” the latter’s “attractions” the Shuberts were strengthened in
their relations with theatre managers not dominated by the Trust who
desired to have those attractions presented in their houses,--and thus
they were, in turn, strengthened in dealings with managers of other
“attractions.” The Belasco-Shubert alliance lasted for about four years.
The time came when Mr. Lee Shubert (who had become the head of the
Shubert Company) condescendingly intimated in public that he did not
believe that anything could be accomplished by the methods of opposition
to theatrical despotism which were long employed by Belasco and by the
shrewd, indefatigable, vindictive H. G. Fiske and his intrepid,
brilliant, accomplished wife; nevertheless, if it had not been for their
opposition, the subjugation of the American Theatre to injurious
monopoly would, in all human probability, have been so complete that Mr.
Lee Shubert and his associates would never have found an opening through
which to break.
S. S. Shubert died, May 12, 1905, in consequence of injuries sustained
in a train wreck on the Pennsylvania Railroad, near Lochiel,
Pennsylvania, on the 11th. Belasco considers his death “a hard blow”
and is “sure he would have occupied a great place in the history of the
American Theatre. He had keen business instincts, a lovable nature, and
was the soul of honor.” He would have required to possess a more
extensive equipment to entitle him to the eminence Belasco believes he
would have attained. I had no personal acquaintance with Mr. Shubert: he
never _did_ anything of notable importance as a theatrical manager,
properly so called. His brother, Mr. Lee Shubert, through the shifts and
chances of fortune, at one time almost held the destiny of our Theatre
in his hand,--but he is merely a commercial exploiter of the Stage and
consequently made nothing of his opportunity.
Public-domain text, read in full here on John Shaqi.
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