Belasco, David, 1853-1931; Theater -- United States
“On the surface, at first, the tale is one for the nursery, but
beneath is deep and earnest purpose, the enforcement of the
distinction between the essential goodness of loving and unselfish
innocence, delighting in service, and the hard and cruel Pharisaism
of a narrow, egoistic bigotry. Presently the parable illustrates
the savagery which perfect innocence may experience at the hands of
arrogant and sophisticated virtue. But a brief outline will most
clearly show the motive of Mr. Knoblauch’s story. The scene is laid
in a convent in France, during the Franco-German conflict of 1870.
_Marie-Odile_, the embodiment of childish innocence, is virtually
the servant of the sisterhood. As an infant she had been found on
the door-step. Now she is serving her novitiate and doing the
domestic work, until ready for the final vows. She is a bright,
affectionate, devout, and indefatigable little creature, who has
never been outside the convent walls, has never seen a man--except
an old priest and a decrepit, half-witted gardener--and is
absolutely ignorant of the world and the ways of life. She has been
taught that babies are the rewards which kindly angels bring from
heaven to deserving mothers. By the _Mother Superior_, a martinet
and zealot, she is persistently bullied. Even her tenderness for
her pet pigeon is accounted a mortal sin, and, by way of spiritual
discipline, she is ordered to tell the gardener to kill it for the
_Mother Superior’s_ table. At this she revolts. Sooner than obey
she hides herself, and is not to be found when the terrible news
arrives that the French have been hopelessly beaten, and that the
_Uhlans_ are at the convent door. The priests and the nuns flee and
_Marie-Odile_ and the old gardener are left behind alone. Soon the
first German, a handsome young corporal, arrives, and
_Marie-Odile_, who has never seen a male figure of such splendor
before, concludes that he is Saint Michael--the convent’s patron
saint--and kneels to him in rapturous worship. Other soldiers come
in, led by a rough sergeant, and are disposed to take liberties,
but are promptly disarmed by her fearlessness, her simplicity, and
her transparent innocence. They even affect to respect the laws of
the _Mother Superior_, which she quotes as paramount. She feeds
them, presides at their table, and holds them in subjection--all
but one or two--by magic of the ignorance that knows no wrong. The
corporal champions her against the advances of his more brutal
fellows, and to him she appeals with the confidence of a child.
When the troops depart the sergeant, learning that the corporal has
never had a love affair of any kind, purposely leaves him behind,
bidding him take advantage of his manifest opportunity.
Public-domain text, read in full here on John Shaqi.
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