Belasco, David, 1853-1931; Theater -- United States
advances and who has surmised the identity of her lover with the
fugitive, is vigilantly watchful, hoping to gratify his jealous hatred
while in the performance of his duty. During the interview between
_Norton_ and _Rose_ she detects the stealthy approach of _Devlin_,
tracking him. After making a tryst with him at a remote
[Illustration:
Photograph by Abbe. Collection of Jefferson Winter.
LENORE ULRIC AS _ROSE_, IN “TIGER ROSE”]
and abandoned log cabin in the woods, she has barely time to hide her
lover in a huge old grand-father’s clock, in the factor’s house. From
that precarious concealment _Norton_ escapes, down a trapdoor in the
floor, under cover of the dreadful tumult of an appalling electrical
storm (most realistically and impressively managed in Belasco’s
presentment) and, eventually, makes his way to the appointed meeting
place. There, during the next night, he is joined by _Rose_ and a kindly
physician, _Dr. Cusick_, who has discovered her attachment and who,
somewhat unwillingly, has consented to assist in the escape of her
sweetheart. Various explanations are exchanged and it is revealed that
_Dr. Cusick_ (that being an assumed name) is actually the wronged
husband of _Norton’s_ sister and has been for years seeking to find and
kill the man slain by him. After the family misfortunes have been
discussed and an understanding arrived at and after plans for the escape
of _Norton_ out of the Dominion have been devised and arranged by the
intrepid _Rose_, the trio are about to separate when the ubiquitous
_Devlin_, who has divined their resort to the ruined cabin, has
concealed himself there and listened to their conversation, suddenly
emerges from his hiding place and, “covering” the culprit with a pistol,
arrests him. _Rose_, however, abruptly extinguishes the only light in
the cabin, at the same instant shooting the weapon out of _Devlin’s_
hand and crying to her love to fly--which he does. _Devlin_ makes an
attempt to follow him, striking down and stunning _Cusick_, but, being
unarmed, is stopped by _Rose_ at the pistol point. Then, throughout the
night she holds him there. With dawn, however, _Norton_, who has
realized the predicament in which his escape will leave his sweetheart,
returns, accompanied by a Jesuit priest whom he has met--and, as _Rose_
will not submit to the removal of her lover to Edmonton, there to stand
trial alone, but insists on an immediate marriage to him, the play ends
with impending matrimony and the implication that _Dr. Cusick_, who, it
appears has “done the State some service,” will succeed in his declared
intention of appealing to the legal authorities for lenient treatment of
_Norton_,--an intention, by the way, which indicates a touching
ignorance of the operation of criminal law in the region specified.
Public-domain text, read in full here on John Shaqi.
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