November. 3. “Miss Helyett,” a farce with music, adapted from the French by Belasco, was, by him, in association with Charles Frohman, produced at the Star Theatre, New York,--Mrs. Carter appearing in it as _Miss Helyett_. December. 17. 50th performance of “Miss Helyett” at the Star. 1892. January. 10. Last performance of “Miss Helyett” at the Star. 11. “Miss Helyett” was transferred from the Star to the Standard Theatre. 29. 100th performance of “Miss Helyett.” February. 13. Close of the New York engagement of Mrs. Carter in “Miss Helyett”: she then went on a tour in that play, under the management of Frohman and Belasco, which lasted until the end of the theatrical season of 1891-’92. During the greater part of the remainder of 1892 Belasco’s attention was bestowed principally on the writing of “The Girl I Left Behind Me.” 1893. January. 16. “The Girl I Left Behind Me,” by Belasco and Franklyn Fyles, was produced, by Charles Frohman, for the first time anywhere, at the New National Theatre, Washington, D. C.,--under the stage management of Belasco. 25. The Empire Theatre, New York, was opened, under the management of Charles Frohman, with a performance of “The Girl I Left Behind Me.” March. 29. “The Girl I Left Behind Me” was played at the Empire with an entirely new cast--the original company, with one or two exceptions, going to Chicago, where, during the World’s Columbian Exposition, it was presented in that drama, at the Schiller (now, 1917, the Garrick) Theatre, for many weeks. June. 24. 288th consecutive performance of “The Girl I Left Behind Me,” at the Empire, and close of the first season at that theatre. October. 24. First performance in New York, at the Empire Theatre, of “The Younger Son,” adapted by Belasco from a German play called “Schlimme Saat” (“Evil Seeds”). Failure: it was withdrawn after four performances.