Belasco, David, 1853-1931; Theater -- United States
The coronation of _Adrea_ ensues. _Kaeso_ is brought before her, in
order that he may sue for pardon--which the heart of the injured _Queen_
is ready to grant. But _Kaeso_ is haughty, and the _Queen_ dismisses her
court, that she may judge him alone. She is temperate, lenient, and
fond. She pours out all her heart; but it is only to be dazed by
_Kaeso’s_ declaration that his regret is solely for his lost ambition.
He tells her that he knew of her spoliation, and allowed it. The _Queen_
recalls her court. “Set him upon a horse of state,” she says, “drest in
a robe of gold. Strew his way with roses! Let heralds go before him and
cry ‘Conqueror!’ ‘Imperator!’ Let maidens chant songs! And when he has
reached my gates, and his men and galleys are in sight,--_whip him!_
Whip him to his empty camp, and hold him captive there till the manner
of his death is decided.”
The scene changes to the _Queen’s_ Cabinet. _Kaeso_ is brought in on the
way to execution. It is the supreme moment of _Adrea’s_ life. The man
she loves is on the way to death. In spite of all her wrongs she will
look upon his face again, before it is mangled by wild horses’ hoofs.
Her heart still cries out for him. Even now she would save him, if she
could. But frenzied multitudes surround the palace, maddened with
knowledge of the outrages that the _Queen_ has suffered; and she is
powerless to save. _Queen Adrea_ must tell _Kaeso_ the manner of his
death. _Kaeso_ had thought to die as a soldier should--upon his sword,
but his death is to be that of a beast, trampled beneath the iron hoofs
of horses. This fate she proclaims, but, when the first shock of horror
is past, _Kaeso_ confesses that he deserves his doom, and declares that
he will die well: and then he says that he has always loved _Adrea_, but
has put his love aside, for the sake of his ambition. Again the _Queen_
relents. She will, at least, save him from a death of ignominy. She
offers him the sword of _Menethus_, with which to kill himself. But his
hands are chained. “You!” he begs. The thought is unendurable. She turns
away. But suddenly, turning back, she cries out, “Yes!” and drives the
blade through her lover’s heart.
Public-domain text, read in full here on John Shaqi.
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