“The commercialism of the drama,” so said that manager, “_has justified itself...._ The Theatre of to-day is no Chicago University or Carnegie Library. If you look after the _financial end_ of the Drama, _which is the main thing_, the public may be trusted to maintain a high standard.” TENDENCY TO COMBINATION IN MODERN BUSINESS. An honest, just, equitable organization of business is always right, and no one but a fool or a knave would ever question the legality or propriety of it. The drift of the present age, in commercial affairs, is, and for a considerable time has been, toward combination, organization--in a word, _efficiency_. Business men of the United States, little by little, have awakened to the imperative necessity of conservation of energy and resources, systematic labor, economy; the sensible use of every force that tends to the advancement of civilization, the increase of public prosperity, and the diffusion of intelligence. One of those forces is the Theatre, and it is one of prodigious influence. No intelligent observer acquainted with its history would maintain that its condition, particularly as a business institution, has ever been perfect or is perfect now. It is certain, however, that its commercial condition has, within the last half-century, very considerably improved, because not only have the ban of the Church and the stigma of Society been, to a large extent, removed from it, but great wealth has been bestowed on its enhancement, and expert executive talent has sometimes been enlisted in the management of its affairs. CAUSES OF THEATRICAL PROGRESS.