Nightingale, Florence, 1820-1910; Nurses -- England -- Biography
To prevent the repetition of such an accident, Colonel Macmurdo
presented Miss Nightingale with a specially constructed carriage for
her use. It is described as “being composed of wood battens framed
on the outside and basket-work. In the interior it is lined with a
sort of waterproof canvas. It has a fixed head on the hind part and a
canopy running the full length, with curtains at the side to enclose
the interior. The front driving seat removes, and thus the whole forms
a sort of small tilted waggon with a welted frame, suspended on the
back part, on which to recline, and well padded round the sides. It is
fitted with patent breaks to the hind wheels so as to let it go gently
down the steep hills of the Turkish roads.” This is the carriage which
after many vicissitudes is now preserved at Lea Hurst.
The carriage was one of the most interesting exhibits in the Nursing
Section of the Victorian Era Exhibition at Earl’s Court. Its
preservation and removal to this country are due to the excellent
M. Soyer, who on the eve of his departure from the Crimea rescued
it from the hands of some Tartar Jews. Miss Nightingale had left it
behind, doubtless thinking that it had served its purpose, and being
too modest to imagine that it would be of special interest to her
fellow-countrymen. M. Soyer, however, saw in that old battered vehicle
a precious relic for future generations, and hearing that some Jews
were going to purchase it next day, along with a lot of common carts
and harness, he obtained permission from Colonel Evans of the Light
Infantry to buy the carriage. He afterwards sent it to England by the
_Argo_. The sketch reproduced was taken by Mr. Landells, the artist
representing _The Illustrated London News_ in the Crimea. The carriage
was an object of great public interest when it arrived at Southampton
on the _Argo_. The Mayor took charge of it until the arrival of M.
Soyer, who had the extreme pleasure of restoring it to its famous owner.
Public-domain text, read in full here on John Shaqi.
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