The Life of Florence Nightingale, vol. 1 of 2Cook, Edward Tyas, Sir
History
The Life of Florence Nightingale, vol. 1 of 2
Cook, Edward Tyas, Sir
Nightingale, Florence, 1820-1910
(_To her Sister._) _December_ 17 [1847]. Oh, my dearest, I have had
such a day--my red Dominical, my Golden Letter, the 15th of
December is its name, and of all my days in Rome this has been the
most happy and glorious. Think of a day alone in the Sistine Chapel
with [Greek: S] [Selina, Mrs. Bracebridge], quite alone,
without custode, without visitors, looking up into that heaven of
angels and prophets.... I did not think that I was looking at
pictures, but straight into Heaven itself, and that the faults of
the representation and the blackening of the colours were the
dimness of my own earthly vision, which would only allow me to see
obscurely, indistinctly, what was there in all its glory to be
known even as I was known, if mortal eyes and understandings were
cleared from the mists which we have wilfully thrown around them.
There is Daniel, opening his windows and praying to the God of his
Fathers three times a day in defiance of fear. You see that young
and noble head like an eagle's, disdaining danger, those glorious
eyes undazzled by all the honours of Babylon. Then comes Isaiah,
but he is so divine that there is nothing but his own 53rd chapter
will describe him. He is the Isaiah, the "_grosse Unbekannte_" of
the Comfort ye, Comfort ye my people. I was rather startled at
first by finding him so young, which was not my idea of him at all,
while the others are old. But M. Angelo knew him better; it is the
perpetual youth of inspiration, the vigour and freshness, ever new,
ever living, of that eternal spring of thought which is typed under
that youthful face. Genius has no age, while mind (Zechariah) has
no youth. Next to Isaiah comes the Delphic Sibyl, the most
beautiful, the most inspired of all the Sibyls here; but the
distinction which M. Angelo has drawn even between _her_ and the
_Prophets_ is so interesting. There is a security of inspiration
about Isaiah; he is listening and he is speaking; "that which we
_hear_ we declare unto you." There is an anxiety, an effort to hear
even, about the Delphian; she is not quite sure; there is an
uncertainty, a wistfulness in her eyes; she expects to be rewarded
rather in another stage than this for her struggle to gain the
prize of her high calling, to reach to the Unknown that Isaiah
knows already. There is no uncertainty as to her feeling of being
called to hear the voice, but she fears that her earthly ears are
heavy and gross, and corrupt the meaning of the heavenly words. I
cannot tell you how affecting this anxious look of her far-reaching
eyes is to the poor mortals standing on the pavement below, while
the Prophets ride secure on the storm of Inspiration.... I feel
these things to be part of the word of God, of the ladder to
Heaven.
Public-domain text, read in full here on John Shaqi.
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