The Life of Florence Nightingale, vol. 2 of 2Cook, Edward Tyas, Sir
History
The Life of Florence Nightingale, vol. 2 of 2
Cook, Edward Tyas, Sir
Nightingale, Florence, 1820-1910
with ready tact, explained her letter away by saying that the real
reason of it was only a selfish impatience to see her dear "Flochen" in
London.
Miss Nightingale's mother was now very old; her mind was barely
coherent; and it would perhaps have been much the same to her if
Florence had not been by her side. Yet the actual presence was a great
comfort; and Miss Nightingale, whose calls in earlier life had estranged
her somewhat from her mother, was the more anxious to be with her now.
There were gleams of brightness in the mother's manner which touched the
daughter deeply. "Her mind," she afterwards wrote, "was like the ceiling
of the Sistine Chapel--darkened, blotted, effaced, and with great gaps;
but if you looked and looked and accustomed your eye to the dimness and
the broken lights, there were the noble forms transparent through the
darkness."[190] Mother and daughter had much converse on spiritual
things. At other times, pride and pleasure in her famous daughter were
mixed in the mother's mind with the regrets of earlier years. "Where is
Florence?" she once asked, in the daughter's absence; "is she still in
her hospital? I suppose she will never marry now." She loved to have
Longfellow's poem read to her; "it is all true," she would say, "all
real." When Florence came, the mother loved her presence dearly. "Who
are you? Oh, yes, I see you are Florence. Stay with me. Do not leave me.
It makes me so happy to see you sitting by me. You come down to teach us
to love; but you have so much that is important to do, you must not stay
with me." "Oh, are you my dearest Florence? I ought to kiss your hand, I
am sure." The daughter's wit cheered her mother. "You have a right to
laugh," she said; "so few of us have. You are so good--so much better
than the rest of us. You do me so much good."
[190] Letter to "Aunt Mai," Feb. 5, 1880.
Public-domain text, read in full here on John Shaqi.
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