He completed a finer and sober essay, _Ueber Wahrheit und Lüge im
ausser moralischen Sinne (On Truth and Falsehood in an Extra-Moral
Sense.)_ (It is a pity that it is necessary to translate these
high-sounding expressions, and we render them word for word.) Nietzsche
always liked high-sounding words; he does not recoil here from using
the word "untruth," and essays for the first time a "reversal of
values." To the true he opposes the false and prefers it. He exalts the
imaginary worlds which poets add to the real world. "Dare to deceive
thyself and dream," Schiller had said; Friedrich Nietzsche repeats
this advice. It was the happy audacity of the Greeks; they intoxicated
themselves with their divine histories, their heroic myths, and this
intoxication set their souls on high adventures. The loyal Athenian,
persuaded that Pallas dwelt in his city, lived in a dream. More
clear-sighted, would he have been stronger; more passionate, braver?
Truth is good in proportion to the services which it assures, and
illusion is preferable if it performs its duty better. Why deify the
truth? It is the tendency of the moderns; _Pereat vita, fiat veritas!_
they say readily. Why this fanaticism? It is an inversion of the sane
law for men: _Pereat Veritas, fiat vita!_
Nietzsche wrote down these dogmatic formulas, but did not stop at them.
He went on writing. It was thus that he worked and advanced in his
researches. Let us not forget that these thoughts, firm though they
were in manner, were only indications, steps on the road. He would
give birth to other and perhaps contrary thoughts. Friedrich Nietzsche
had in him two instincts, opposed to each other; the one, that of the
philosopher, and the other, that of the artist; the one was bent on
truth, the other was ready to fabricate. He hesitated at the moment
when he had to sacrifice one or the other. The instinct for the true
protested within him. He did not abandon his formulas; he took them up
again, he essayed new definitions, he indicated the difficulties, the
hiatus. His thoughts had no disguise, and we can follow his researches.
Let us translate this significant disorder:
"_The philosopher of the tragic knowledge._ He binds the disordered
instinct of knowledge, but not by a new metaphysic. He does not
establish new beliefs. He sees with a tragic emotion that the ground
of metaphysics opens under him, and he knows that the many-coloured
whirlwind of science can never satisfy him. He builds for himself a new
life; to art he restores its rights.
"_The philosopher of the desperate knowledge_ abandons himself to blind
science: knowledge at any price.
Public-domain text, read in full here on John Shaqi.
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