AFTER narrating the treatment to which Galileo was subject on account of his admirable Dialogues, it will not be irrelevant to endeavour, by a few extracts, to convey some idea of the style in which they are written. It has been mentioned, that he is considered to surpass all other Italian writers (unless we except Machiavelli) in the purity and beauty of his language, and indeed his principal followers, who avowedly imitated his style, make a distinguished group among the classical authors of modern Italy. He professed to have formed himself from the study of Ariosto, whose poems he passionately admired, insomuch that he could repeat the greater part of them, as well as those of Berni and Petrarca, all which he was in the frequent habit of quoting in conversation. The fashion and almost universal practice of that day was to write on philosophical subjects in Latin; and although Galileo wrote very passably in that language, yet he generally preferred the use of Italian, for which he gave his reasons in the following characteristic manner:— "I wrote in Italian because I wished every one to be able to read what I wrote; and for the same cause I have written my last treatise in the same language: the reason which has induced me is, that I see young men brought together indiscriminately to study to become physicians, philosophers, &c., and whilst many apply to such professions who are most unfit for them, others who would be competent remain occupied either with domestic business, or with other employments alien to literature; who, although furnished, as Ruzzante might say, with a _decent set of brains_, yet, not being able to understand things written in _gibberish_, take it into their heads, that in these crabbed folios there must be some grand _hocus pocus_ of logic and philosophy much too high up for them to think of jumping at. I want them to know, that as Nature has given eyes to them just as well as to philosophers for the purpose of seeing her works, she has also given them brains for examining and understanding them." The general structure of the dialogues has been already described;[93] we shall therefore premise no more than the judgment pronounced on them by a highly gifted writer, to supply the deficiencies of our necessarily imperfect analysis.