In 1619, the Emperor Matthias died, and was succeeded by Ferdinand III.,
who retained Kepler in the post he had filled under his two predecessors
on the imperial throne. Kästner, in his "History of Mathematics," has
corrected a gross error of Hantsch, in asserting that Kepler
prognosticated Matthias's death. The letter to which Hantsch refers, in
support of his statement, does indeed mention the emperor's death, but
merely as a notorious event, for the purpose of recalling a date to the
memory of his correspondent.
CHAPTER VII.
_Kepler publishes his Harmonics—Account of his Astrological
Opinions and Discovery of the Law of the Periods of the Planetary
Revolutions—Sketch of Newton's proof of Kepler's Laws._
THE "Cosmographical Mystery" was written, as has been already mentioned,
when Kepler was only twenty-six, and the wildness of its theories might
be considered as due merely to the vivacity of a young man; but as if
purposely to shew that his maturer age did not renounce the creations of
his youthful fancy, he reprinted the "Mystery" in 1619, nearly at the
same time when he published his celebrated work on Harmonics; and the
extravagance of the latter publication does not at all lose in
comparison with its predecessor. It is dedicated to James I. of England,
and divided into five books: "The first, Geometrical, on the origin and
demonstration of the laws of the figures which produce harmonious
proportions;—the second, Architectonical, on figurate geometry, and the
congruence of plane and solid regular figures;—the third, properly
Harmonic, on the derivation of musical proportions from figures, and on
the nature and distinction of things relating to song, in opposition to
the old theories;—the fourth, Metaphysical, Psychological, and
Astrological, on the mental essence of harmonies, and of their kinds in
the world, especially on the harmony of rays emanating on the earth from
the heavenly bodies, and on their effect in nature, and on the sublunary
and human soul;—the fifth, Astronomical and Metaphysical, on the very
exquisite harmonies of the celestial motions, and the origin of the
excentricities in harmonious proportions."
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