The Life of George Cruikshank in Two Epochs, Vol. 2. (of 2)Jerrold, Blanchard
History
The Life of George Cruikshank in Two Epochs, Vol. 2. (of 2)
Jerrold, Blanchard
Cruikshank, George, 1792-1878
“From off your forehead,” I replied. “From off my forehead!” he echoed,
as he rubbed it fiercely. “Yes,” I said, “it has been there ever since
you entered the room.” Cruikshank seized his hat, and looked into its
crown, when it appeared that the ivory circlet had dropped from, the
ventilating hole in the crown of the hat as Cruikshank had walked to my
house, and that it had found its way down to his forehead, where, what
with the heat of his head and the fragments of glue on the ivory, it
had become firmly fixed, and would perhaps have remained there for some
hours longer if he had not accompanied his conversation with so much
action When he found out the truth, and fully realized the absurdity of
the intense relief--for I was beginning to feel that I could not bear
the mystery much longer--the ivory badge fell situation, he burst into
such a hearty roar of laughter as I have not heard for many a day. This
was my first personal introduction to George Cruikshank.’”
Cuthbert Bede had also the advantage of seeing Cruikshank at work on
that plate of his magazine which will make its two numbers live longer
than many a serial which has lasted twenty years.
“When I first went into his studio,’’ says Cuthbert Bede, “there were
many specimens of his work around him, oil paintings, etchings, and
wood-block drawings in various stages of execution. He seemed to take
a particular pleasure in showing me these, and in explaining their
designs. The chief work on which he was thus engaged was his wondrous
etching of ‘The Comet of 1853,’ which was to form the frontispiece for
the projected magazine. On account of its dimensions--the actual plate,
without the title, ‘Passing Events, or the Tail of the Comet of 1853,’
being 15 1/4 by 7 inches--it had to appear as a folding plate. It was
crammed with hundreds of figures, giving, at one view, an epitome of the
leading events of the year--the Peace Conference, the war between
Russia and Turkey, the war in China, the Queen’s review of the troops at
Chobham, the naval review at Portsmouth, Spirit Rapping, Table Turning,
the Derby Day, Betting, the City Corporation Commission, John Gough and
the Temperance Demonstration, the Nineveh Bulls, the Zulu Kaffirs and
Earthmen, the Anteater, Albert Smith’s ‘Mont Blanc,’ Charles Kean’s
‘Sardanapalus,’ Bribery and Corruption, the Australian Gold Discovery,
Mrs. Stowe and ‘Uncle Tom,’ the New York and Dublin Exhibitions, the
Vivarium, Guy Fawkes, Lord Mayor’s Day, Wyld’s Great Globe, Captain
McClure and the North-west Passage, Miss Cunningham’s Seizure by the
Grand Duke of Tuscany, the Ceiling-walker, Smithfield Cattle Show,
Chiswick Flower Show, Christmas Merry-making, and the Pantomimes--these
are among the subjects that appear in the Comet’s Tail, and the gradual
progress of which to its ultimate perfection I was so fortunate as to
see....
Public-domain text, read in full here on John Shaqi.
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