My acquaintance with Henry Labouchere dates, if I remember rightly,
from the early spring of 1861. We were both then in the Diplomatic
Service, and though not actually employed together, I had just
succeeded him as unpaid attaché at the Frankfort Legation, and found
him still lingering there when I came to take up my not very onerous
duties that year under our chief, Sir Alexander Malet, Edward Malet's
father. Labouchere's attraction to Frankfort was not Frankfort
itself, but its close neighbourhood to Hombourg, where the
gambling-tables still flourished, and where he spent nearly all his
time. By rights he ought to have been at St. Petersburg, but
pretended that he could not afford to travel to his new post except
on foot, and so was staying on waiting to have his expenses paid by
Government. His life at that time was an avowedly disreputable one,
the society of Hombourg being what it was; and he was looked upon by
the more strait-laced ladies of the Corps Diplomatique as something
of a pariah. There was a good deal of talk about him, opinions being
divided as to whether he was more knave or fool, greenhorn or knowing
fellow, all which amused him greatly. He was in reality the
good-hearted {70} cynic the world has since acknowledged him to be,
with a keen appreciation of the _comédie humaine_, a contempt for
aristocratic shams, and a philosopher's taste for low society.
I have a coloured caricature I made of him of that date, 1861, in
which he is represented as undergoing a conversion to respectability
at the hands of Countess d'Usedom, the Olympia of the Bismarck
memoirs, and wife of the Prussian Ambassador, with her two Scotch
nieces in the preposterous crinoline dresses of the time. He figures
in it as a round-faced young man with highly coloured cheeks, and an
air of mock modesty which is very characteristic. It is labelled
"The Deformed Transformed."
Public-domain text, read in full here on John Shaqi.
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