The Life of Jesus Christ for the Young, Vol. 4: And His Life Depicted in a Gallery of Eighty PaintingsNewton, Richard
Religion
The Life of Jesus Christ for the Young, Vol. 4: And His Life Depicted in a Gallery of Eighty Paintings
Newton, Richard
Jesus Christ -- Art; Jesus Christ -- Biography -- Juvenile literature
He is called—the _Holy_ Spirit—not only because he is holy himself, but
because his work is to make his people holy. And this is what we all need
to make us fit for heaven. The great law of that blessed world, the law
that is written, as it were, over the gate of heaven, is this—“_without
holiness no man shall see the Lord_.” And Jesus pointed out the way
in which this holiness or sanctification is to be secured when he was
praying for his disciples, and said, “Sanctify them through thy truth.”
The truth here spoken of, means “the truth as it is in Jesus”; or the
things that the Bible tells us about him. This truth is the instrument,
or means, which the Spirit employs in making us holy. The best
definition of holiness is to say that it means being made _like Jesus_.
He is the example, or model, we have set before us, which we must try to
imitate. We must ask ourselves what would Jesus think, or feel, or say,
or do, if he were in our position? and then we must try to think, and
feel, and speak, and act as much like him as possible. And so you see how
important it is for us to know “the truth,” or what the Bible teaches us
about him, because it is only in this way that we can ever hope to become
like him, or to be made holy.
There was a famous artist in Italy many years ago, whose name was Michael
Angelo. He was a great painter and a great sculptor. And when he was
occupied on any work he always took the greatest pains to finish it as
finely as possible. He was once engaged in making the statue of an angel
out of a block of white marble. At last it was nearly done; but still, he
lingered over it, trying to improve it in every possible way. He was a
firm believer in the old proverb, that “whatever is worth doing, is worth
doing well.” A person who had been in his studio and had seen him at work
upon this statue came back, several days after, and found him busy with
it still. “Why,” said he, “I don’t see that you have done anything since
I was here before.”
“O, yes, I have,” said the great artist. “It was too full here, and I
have reduced it somewhat. I have brought that muscle out better. I have
rounded off this arm. I have improved the lip here; and the chin there,
and I have put more expression into the face.”
“Well, but these are mere trifles,” said the visitor.
“They help to make my work perfect; and _perfection is no trifle_,” was
the great man’s wise reply.
Public-domain text, read in full here on John Shaqi.
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