John was the child of aged parents, and became a notable preacher of repentance; consequently it was thought justifiable to infer that his birth was predicted by an angel. What an illogical conclusion! for which he has no other ground than the assumption that John was the son of aged parents. Let this be made a settled point, and the conclusion follows without difficulty. It was readily believed, he proceeds, of remarkable men that they were born of aged parents, and that their birth, no longer in the ordinary course of nature to be expected, was announced by a heavenly messenger [146]; John was a great man and a prophet; consequently, the legend represented him to have been born of an aged couple, and his birth to have been proclaimed by an angel. Seeing that this explanation of the narrative before us, as a half (so called historical) mythus, is encumbered with all the difficulties of a half measure, Gabler has treated it as a pure philosophical, or dogmatical mythus. [147] Horst likewise considers it, and indeed the entire two first chapters of Luke, of which it forms a part, as an ingenious fiction, in which the birth of the Messiah, together with that of his precursor, and the predictions concerning the character and ministry of the latter, framed after the event, are set forth; it being precisely the loquacious circumstantiality of the narration which betrays the poet. [148] Schleiermacher likewise explains the first chapter as a little poem, similar in character to many of the Jewish poems which we meet with in their apocrypha. He does not however consider it altogether a fabrication. It might have had a foundation in fact, and in a widespread tradition; but the poet has allowed himself so full a license in arranging, and combining, in moulding and embodying the vague and fluctuating representations of tradition, that the attempt to detect the purely historical in such narratives, must prove a fruitless and useless effort. [149] Horst goes so far as to suppose the author of the piece to have been a Judaising Christian; whilst Schleiermacher imagines it to have been composed by a Christian of the famed Jewish school, at a period when it comprised some who still continued strict disciples of John; and whom it was the object of the narrative to bring over to Christianity, by exhibiting the relationship of John to the Christ as his peculiar and highest destiny; and also by holding out the expectation of a state of temporal greatness for the Jewish people at the reappearance of Christ.