| minor and E flat major) | |
121 | Four Serious Songs for a Bass | 1896 | II. 273, 274, 276,
| voice | | 277.
122 | Eleven Chorale-Preludes for | 1902 | II. 276-278, 289.
| Organ (the only posthumous | |
| work) | |
-----+--------------------------------+-----------+----------------------
WORKS WITHOUT OPUS NUMBER
-------------------------------------+--------------+--------------
TITLE OF WORK. | PUBLISHED | PAGES.
-------------------------------------+--------------+--------------
Song, 'Mondnacht,' for one voice | 1854 |
republished | 1872 |
Children's Folk-songs with added | 1858 | I. 220.
Pianoforte accompaniment | |
German Folk-songs arranged for | 1864 | II. 26.
four-part Chorus | |
Fugue in A flat minor for Organ | 1864 | II. 26.
Studies for Pianoforte (Nos. 1 and 2)| 1869 | I. 67;
after Chopin and Weber | | II. 98.
Hungarian Dances arranged for | 1869 | II. 79, 98.
Pianoforte Duet, Books 1 and 2 | |
Gavotte by Gluck arranged for | 1871 | I. 201;
Pianoforte | | II. 106.
Hungarian Dances arranged for | 1872 | I. 222;
| | II. 79, 98.
Pianoforte solo, Books 1 and 2 | |
Hungarian Dances arranged for | 1874 | I. 135.
Orchestra, Nos. 1, 3, 10 | |
Studies for Pianoforte (Nos. 3, 4, 5)| 1879 | II. 181.
after Bach | |
Hungarian Dances arranged for | 1880 | II. 184.
Pianoforte Duet, Books 3, 4 | |
Chorale-Prelude and Fugue for Organ | 1881 | I. 219;
| | II. 138.
Fifty-one Technical Exercises for | 1893 | II. 256.
Pianoforte. (Two books) | |
German Folk-songs with Pianoforte | 1894 | I. 80;
accompaniment. (Seven books) | | II. 261, 262.
Arrangements of Joachim's Overtures | 1902 | II. 92, 289.
to 'Henry IV.' and 'Demetrius' | |
as Pianoforte Duets | |
-------------------------------------+--------------+--------------
WORKS EDITED BY BRAHMS
Couperin: Clavier Compositions. (Chrysander's 'Denkmäle der
Tonkunst.')
Mozart: Requiem. (Breitkopf and Härtel's critically revised
complete edition.)
Schubert: Three Pianoforte pieces.
Schumann: Supplementary volume to Clara Schumann's complete
edition.
Public-domain text, read in full here on John Shaqi.
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