The Rev. C. H. S. Matthews, better known in the bush of New South Wales
as 'Brother Charles,' is one of the founders and chiefs of an Anglican
Society called the Brotherhood of the Good Shepherd, formed to minister
to the religious needs of those remote regions. During five years spent
almost entirely in itinerating in the 'back-blocks' of the colony, he
has had exceptional opportunities for studying bush-life. Finding, on
his return to England, a widespread interest in Australian affairs,
coupled often with an astonishing ignorance of the real Australia, it
occurred to him to set down his own experiences and views on various
Australian problems. Knocking about among the bushmen, camping with
sleeper-cutters and drovers, visiting the stations and selections
'out-back,' Mr. Matthews has caught the spirit and atmosphere of the
bush, with its mingled pathos, humour and humanity. The book should
appeal, not only to those interested in missionary enterprise, but to
all who like to learn how the other parts of the Empire live.
THE ROSE-WINGED HOURS.
English Love Lyrics.
Arranged by St. JOHN LUCAS,
EDITOR OF 'THE OXFORD BOOK OF FRENCH VERSE,' ETC.
_Small 8vo., elegantly bound._ =5s. net.=
The special claim of this anthology, arranged, as it is, by one of our
most promising younger poets, will be due to the prominence given in it
to the love-lyrics of those Elizabethan and Jacobean poets whose verse,
though really entitled to rank with the finest flowers of their
better-known contemporaries, is unduly neglected by the ordinary reader.
The love-lyric is, indeed, the only form in which a great many of the
lesser poets write anything at all memorable.
Sidney and Campion, both writers of extraordinary power and sweetness,
devote themselves almost entirely to this form, and the strange and
passionate voice of Doune finds in it an accent of deep and haunting
eloquence. And since every love-lyric from Meleager to Meredith has a
certain deathless interest that is shared by every poem of its kind, no
matter how many the centuries between them, in this volume the great
line of the Elizabethans will lead to the nineteenth century poets, to
the singers of an epoch with a lyrical harvest as great, indeed, as all
the gold of Elizabeth.
THE MISTRESS ART.
By REGINALD BLOMFIELD, A.R.A.,
PROFESSOR OF ARCHITECTURE TO THE ROYAL ACADEMY.
AUTHOR OF 'A HISTORY OF RENAISSANCE ARCHITECTURE IN ENGLAND.'
_Crown 8vo._ =5s. net.=
Public-domain text, read in full here on John Shaqi.
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