The Life of King Edward VII: with a sketch of the career of King George VHopkins, J. Castell (John Castell)
History
The Life of King Edward VII: with a sketch of the career of King George V
Hopkins, J. Castell (John Castell)
Edward VII, King of Great Britain, 1841-1910
The encouragement of Musical education and the promotion of a public
taste for music was one of the subjects in which the Prince of Wales
took a deep and practical interest. He believed in the humanizing and
civilizing effects of music and felt that amongst a people who had made
a home for Händel and who had in older days loved glees and madrigals
and choral compositions there was room, in a more hum-drum age, for the
encouragement of popular taste in this direction. The Royal Academy of
Music, founded in 1822, had done some good but limited service and, in
1875, he placed himself at the head of a movement to further the love
and practice of music amongst the people. A meeting was held at
Marlborough House on June 15th for the immediate purpose of establishing
free scholarships in connection with the proposed National Training
Schools for Music, near the Royal Albert Hall, and there were present
the Duke of Edinburgh, Prince Christian, the Duke of Teck, the
Archbishops of Canterbury and York, the Lord Mayor of London and many
Provincial Mayors, and a numerous company distinguished by public
reputation or position. The result of this action was most successful,
and in 1878, the Prince endeavoured to complete it by bringing the
Academy and the Training Schools into union.
ENCOURAGES MUSICAL EDUCATION
Failing in this, however, he presided on February 28th 1882 at a meeting
in St. James's Palace held for the purpose of founding a "Royal College
of Music" and attended by one of the most representative gatherings
which His Royal Highness had ever brought together. His speech was an
able and elaborate statement of the importance of a national cultivation
of music and the necessity for its promotion in the United Kingdom. "Why
is it," he asked, "that England has no music recognized as national? It
has able composers but nothing indicative of the national life or
national feeling. The reason is not far to seek. There is no centre of
music to which English musicians may resort with confidence and thence
derive instruction, counsel and inspiration." The plan was then clearly
outlined and enthusiastically accepted--Lord Rosebery, Mr. Gladstone
and Sir Stafford Northcote being amongst those who spoke and supported
the project presented by the Royal chairman. A little later, on March
23rd, the Prince invited a number of gentlemen connected with the
Colonial part of the Empire to meet him at Marlborough House in order to
discuss how best the benefits of the College might be extended and
applied to the more distant British countries.
Public-domain text, read in full here on John Shaqi.
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