The Life of Ludwig van Beethoven, Volume IThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume I
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
Nothing is to be added to the record already made except that, on
the authority of Stephan von Breuning, the youth was once a pupil of
Franz Ries on the violin, which must have been at this time; that,
according to Wegeler, his composition of the song “Wenn Jemand eine
Reise thut”[33] fell in this period, and that he wrote three pianoforte
quartets, the original manuscript of which bore the following title:
“Trois Quatuors pour Clavecin, violino, viola e basso. 1785. Composé
par (de L.) Louis van Beethoven, âgé 13 ans.”[34] The reader will
remark and understand the discrepancy here between the date and the
author’s age. Were these quartets intended for publication and for
dedication to Max Franz, as the sonatas had been for Max Friedrich?
During their author’s life they never saw the light, but their
principal themes, even an entire movement, became parts of future
works. They were published in 1832 by Artaria and appear as Nos. 75 and
77, Series 10, in the Complete Works.
One family event is recorded in the parish register of St.
Remigius--the baptism of Maria Margaretha Josepha, daughter of Johann
van Beethoven, on May 5, 1786.
There is a letter from Bonn, dated April 8, 1787, in “Cramer’s
Magazine” (II, 1385), which contains a passing allusion to Beethoven.
It affords another glimpse of the musical life there:
Our residence city is becoming more and more attractive for
music-lovers through the gracious patronage of our beloved
Elector. He has a large collection of the most beautiful music
and is expending much every day to augment it. It is to him,
too, that we owe the privilege of hearing often virtuosi on
various instruments. Good singers come seldom. The love of music
is increasing greatly among the inhabitants. The pianoforte is
especially liked; there are here several _Hammerclaviere_ by Stein
of Augsburg, and other correspondingly good instruments.... The
youthful Baron v. Gudenau plays the pianoforte right bravely, and
besides young Beethoven, the children of the chapelmaster deserve
to be mentioned because of their admirable and precociously
developed talent. All of the sons of Herr v. Mastiaux play the
clavier well, as you already know from earlier letters of mine.
Public-domain text, read in full here on John Shaqi.
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