The Life of Ludwig van Beethoven, Volume IThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume I
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
Inasmuch as this L. v. B. according to several reports is said to
be making great progress in art and owes a part of his education
to Herr Neefe in Bonn, to whom he has expressed his gratitude
in writing, it may be well (Herr N’s modesty interposing no
objection) to append a few words here, since, moreover, they
redound to the credit of Herr B.: “I thank you for your counsel
very often given me in the course of my progress in my divine art.
If ever I become a great man, yours will be some of the credit.
This will give you the greater pleasure, since you can remain
convinced, etc.”
THE LIMIT OF MAXIMILIAN’S FAVOR
“At the expense of our Elector”--so says Neefe; so, too, Fischenich
says of Beethoven “whom the Elector has sent to Haydn in Vienna.”
Maximilian, then, had determined to show favor to the young musician.
This idea is confirmed by Beethoven’s noting, in the small memorandum
book previously referred to, the reception soon after reaching Vienna
of 25 ducats and his disappointment that the sum had not been a
hundred. (A receipt for his salary, 25 th. for the last quarter of
this year, still in the Düsseldorf archives, is dated October 22, and
seems at first sight to prove an advance per favor; but many others
in the same collection show that payments were usually made about the
beginning of the second month of each quarter.) There is also a paper
in the Düsseldorf collection, undated, but clearly only a year or two
after Beethoven’s departure, by which important changes are made in
the salaries of the Elector’s musicians. In this list Beethoven does
not appear among those paid from the _Landrentmeisterei_ (i.e., the
revenues of the state), but is to receive from the _Chatouille_ (privy
purse) 600 florins--a sum equivalent to the hundred ducats which he had
expected in vain. It is true these changes were never carried out, but
the paper shows the Elector’s intentions.
With such facts before us, how is Beethoven to be relieved of the
odium of ingratitude to his benefactor? By the circumstance that, for
anything that appears, the good intentions of the Elector--excepting
in an increase of salary hereafter to be noted, and the transmission of
the 25 ducats--were never carried out; and the young musician, after
receiving his quarterly payment two or three times, was left entirely
dependent upon his own resources. Maximilian’s justification lies in
the sea of troubles by which he was so soon to be overwhelmed.
Public-domain text, read in full here on John Shaqi.
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