The Life of Ludwig van Beethoven, Volume IThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume I
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
In the present connection one of our old Bonn friends again comes upon
the scene. The beautiful, talented and accomplished Magdalene Willmann
was invited to sing at Venice during the carnival of 1794. She left
Bonn the preceding summer with her brother Max and his wife (Fräulein
Tribolet) to fulfill the engagement. After leaving Venice, they gave
a concert in Gratz, and journeyed on to Vienna. Here Max and his wife
remained, having accepted engagements from Schikaneder, while Magdalene
went on to Berlin. Not suiting the operatic public there she returned
to Vienna, and was soon engaged to sing both German and Italian parts
in the Court Opera. Beethoven renewed his intercourse with them and
soon became so captivated with the charms of the beautiful Magdalene as
to offer her his hand. This fact was communicated to the author by a
daughter of Max Willmann, still living in 1860, who had often heard her
father speak of it. To the question, why her aunt did not accept the
offer of Beethoven, Madame S. hesitated a moment, and then, laughing,
replied: “Because he was so ugly, and half crazy!” In 1799, Magdalene
married a certain Galvani, but her happiness was short; she died toward
the end of 1801.
Two letters of Beethoven to be found in the printed collection have
been preserved from the period before us, addressed to Christine
Gerhardi, a young woman of high distinction in society at the time for
the splendor of her talents and her high culture. Dr. Sonnleithner
wrote of her:
She was the daughter of an official at the court of the Emperor
Leopold II ... an excellent singer, but remained a dilettante
and sang chiefly in concerts for charitable purposes (which she
herself arranged), or for the benefit of eminent artists. Old
Professor Peter Frank was director of the general hospital of
Vienna in the neighborhood of which (No. 20 Alserstrasse) she
lived. He was a great lover of music, but his son, Dr. Joseph
Frank, was a greater; he made essays in composition and arranged
musical soirées at the home of his father at which Beethoven
and Fräulein Gerhardi took part, playing and singing. The son
frequently composed cantatas, which Beethoven corrected, for the
name-days and birthdays of his father, and in which Fräulein
Gerhardi sang the soprano solos.... She was at the time the most
famous amateur singer in Vienna, and inasmuch as Haydn knew
her well there is no doubt but that he had her in mind when he
composed “The Creation”; indeed, she sang the soprano part with
great applause not only at Schwarzenberg but also at the first
performance in the Burgtheater. All reports agree that she met
Beethoven often at Frank’s and that he frequently accompanied her
singing on the pianoforte. He did not give her lessons.
Dr. Joseph von Frank and Christine Gerhardi were married on August 20,
1798; they moved away from Vienna in 1804.
Public-domain text, read in full here on John Shaqi.
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