The Life of Ludwig van Beethoven, Volume IThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume I
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
It must be supposed that the father had seen indications of his
son’s genius, for it is difficult to imagine such an one remaining
unperceived; but the necessities of the family with the failure of the
petition for a better salary--sent in just at the time when the Elector
was so largely increasing his expenditures for music by the engagement
of Lucchesi and Mattioli and in other ways--are sufficient reasons for
the inflexible severity with which the boy was kept at his studies. The
desire to say something new and striking on the part of many who have
written about Beethoven has led to such an admixture of fact and fancy
that it is now very difficult to separate them. One (Schlosser) tells
his readers that “the greatest joy of the lad was when his father took
him upon his knees and permitted him to accompany a song on the clavier
with his tiny fingers,” while others tell the tale of his childhood
in a manner to convey the idea that the father was a pitiless tyrant,
the boy a victim and a slave--an error which a calm consideration of
what is really known of the facts in the case at once dispels. There
is but one road to excellence, even for the genius of a Handel or a
Mozart--unremitted application. To this young Ludwig was compelled,
sometimes, no doubt, through the fear or the actual infliction of
punishment for neglect; sometimes, too, the father, whose habits were
such as to favor a bad interpretation of his conduct, was no doubt
harsh and unjust. And such seems to be the truth. At any rate, the boy
at an early date acquired so considerable a facility upon the clavier
that his father could have him play at court and when he was seven
years old produce him with one of his pupils at a concert in Bonn.
Here is the announcement of the concert as it was reproduced in the
“Kölnische Zeitung” of December 18, 1870, from the original:
AVERTISSEMENT
To-day, March 26, 1778, in the musical concert-room in the
Sternengasse the Electoral Court Tenorist, Beethoven, will have
the honor to produce two of his scholars, namely, Mlle. Averdonck,
Court Contraltist, and his little son of six years. The former
will have the honor to contribute various beautiful arias, the
latter various clavier concertos and trios. He flatters himself
that he will give complete enjoyment to all ladies and gentlemen,
the more since both have had the honor of playing to the greatest
delight of the entire Court.
Beginning at five o’clock in the evening.
Ladies and gentlemen who have not subscribed will be charged a
florin. Tickets may be had at the aforesaid Akademiesaal, also of
Mr. Claren auf der Bach in Mühlenstein.
Public-domain text, read in full here on John Shaqi.
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