The year 1807 was one of the years of Beethoven’s life distinguished by the grandeur and extent of his compositions; and it was probably more to avoid interruption in his labor than on account of ill health, that early in April he removed to Baden. A letter (to Herr von Troxler) in which occur these words: “I am coming to Vienna. I wish very much that you would go with me on Tuesday to Clementi, as I can make myself better understood to foreigners with my notes than by my speech,” seems to introduce a matter of business which called him to the city for a few days. [Sidenote: CLEMENTI SECURES A CONTRACT] Clementi, called to Rome by the death of his brother, had arrived in Vienna on his way thither, and embraced the opportunity to acquire the exclusive right of publication in England of various works of Beethoven, whose great reputation, the rapidly growing taste for his music, and the great difficulty of obtaining continental publications in those days of “Napoleonic ideas,” combined to render such a right in that country one of considerable value. Clementi reported the results of the negotiations with Beethoven in a letter to his partner, F. W. Collard, with whom he had been associated in business for five years, which J. S. Shedlock made public in the “Athenæum” of London on August 1, 1902. It runs as follows: Messrs. Clementi and Co., No. 26 Cheapside, London. Vienna, April 22d, 1807. Dear Collard: By a little management and without committing myself, I have at last made a complete conquest of the ~haughty beauty~, Beethoven, who first began at public places to grin and coquet with me, which of course I took care not to discourage; then slid into familiar chat, till meeting him by chance one day in the street--“Where do you lodge?” says he; “I have not seen you this ~long~ while!”--upon which I gave him my address. Two days after I found on my table his card brought by himself, from the maid’s description of his lovely form. This will do, thought I. Three days after that he calls again, and finds me at home. Conceive then the mutual ecstasy of such a meeting! I took pretty good care to improve it to our ~house’s~ advantage, therefore, as soon as decency would allow, after praising very handsomely some of his compositions: “Are you engaged with any publisher in London?”--“No” says he. “Suppose, then, that you prefer ~me~?”--“With all my heart.” “Done. What have you ready?”--“I’ll bring you a list.” In short I agree with him to take in MSS. three quartets, a symphony, an overture and a concerto for the violin, which is beautiful, and which, at my request he will adapt for the pianoforte with and without additional keys; and a concerto for the pianoforte, for ~all~ which we are to pay him two hundred pounds sterling. The property, however, is only for the British Dominions. To-day sets off a courier for London through